{"id":14543,"date":"2013-11-23T01:49:57","date_gmt":"2013-11-23T01:49:57","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=14543"},"modified":"2013-11-23T01:49:57","modified_gmt":"2013-11-23T01:49:57","slug":"laraignelephant","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/11\/23\/laraignelephant\/","title":{"rendered":"L&#8217;Araign\u00e9l\u00e9phant"},"content":{"rendered":"<p><a href=\"http:\/\/www.ina.fr\/video\/CPF86631936\" target=\"_blank\"><img decoding=\"async\" alt=\"kamler.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/11\/kamler.jpg\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.ina.fr\/video\/CPF86631936\" target=\"_blank\"><em>L&#8217;Araign\u00e9l\u00e9phant<\/em><\/a> (1967) is another of the strange animations made by Piotr Kamler in the 1960s and 1970s, this one being a 9-minute piece concerning the travails of &#8220;the spiderelephant&#8221;. As with Kamler&#8217;s <em>Le labyrinthe<\/em>, the music is by the French electroacoustic composer Bernard Parmegiani whose death was announced this week, hence the link. Parmegiani had a varied career which included scores for a number of other films (among them a Jan Lenica short, <em>A<\/em>, which I&#8217;ve not been able to find), and more commercial music than people at his serious end of the composition scale usually produce.<\/p>\n<p><a href=\"http:\/\/ubu.com\/sound\/parmegiani.html\" target=\"_blank\">Ubuweb<\/a> has a selection of\u00a0Parmegiani&#8217;s longer compositions, one of which,\u00a0<em>Pop&#8217;eclectic<\/em> (1969\u20131973), chops up pop and classical recordings (spot the Small Faces!) in a manner which would become commonplace a decade or so later with the advent of sampling. The Kamler films, meanwhile, are all available on <a href=\"http:\/\/www.heeza.fr\/en\/dvd-animation\/829-dvd-piotr-kamler.html\" target=\"_blank\">a single DVD <\/a>where the narration for <em>L&#8217;Araign\u00e9l\u00e9phant<\/em>\u2014which doesn&#8217;t explain very much\u2014is subtitled.<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/07\/13\/psyche-rock\/\">Psych\u00e9 Rock<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/05\/01\/le-labyrinthe-and-coeur-de-secours\/\">Le labyrinthe and Coeur de secours<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/12\/18\/chronopolis-by-piotr-kamler\/\">Chronopolis by Piotr Kamler<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>L&#8217;Araign\u00e9l\u00e9phant (1967) is another of the strange animations made by Piotr Kamler in the 1960s and 1970s, this one being a 9-minute piece concerning the travails of &#8220;the spiderelephant&#8221;. As with Kamler&#8217;s Le labyrinthe, the music is by the French electroacoustic composer Bernard Parmegiani whose death was announced this week, hence the link. Parmegiani had &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/11\/23\/laraignelephant\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;L&#8217;Araign\u00e9l\u00e9phant&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,29,7,3],"tags":[4726,4055,4403,1157,119],"class_list":["post-14543","post","type-post","status-publish","format-standard","hentry","category-animation","category-electronica","category-film","category-music","tag-bernard-parmegiani","tag-jan-lenica","tag-piotr-kamler","tag-the-small-faces","tag-ubuweb"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3Mz","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14543","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=14543"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14543\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=14543"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=14543"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=14543"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}