{"id":14517,"date":"2013-11-15T03:09:32","date_gmt":"2013-11-15T03:09:32","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=14517"},"modified":"2022-02-02T10:36:23","modified_gmt":"2022-02-02T10:36:23","slug":"tornadoes","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/11\/15\/tornadoes\/","title":{"rendered":"Tornadoes"},"content":{"rendered":"<p><a href=\"http:\/\/www.phenomena.org.uk\/tornadoes\/tornadoes\/jasper.html\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/11\/tornado1.jpg\" alt=\"tornado1.jpg\" \/><\/a><\/p>\n<blockquote><p>A gust, a storme, a spoute, a loume gaile, an eddy wind, a flake of wind, a Turnado.<\/p>\n<p><em>Captain John Smith from An Accidence, or the Pathway to Experience Necessary for all Young Seamen (1626).<\/em><\/p><\/blockquote>\n<p>In an age of storm chasers and increasingly spectacular photos, Lucille Handberg&#8217;s celebrated picture may seem undramatic, but for the moment this is still the most celebrated tornado photo to date. I knew the picture from an early age thanks to its appearance in a children&#8217;s encyclopedia. When Deep Purple&#8217;s <em>Stormbringer<\/em> album appeared in 1974 (below) that imperilled barn, and the shape of the twister, was immediately recognisable.<\/p>\n<p><a href=\"http:\/\/news.google.com\/newspapers?nid=1368&amp;dat=19280902&amp;id=HVNQAAAAIBAJ&amp;sjid=yA4EAAAAIBAJ&amp;pg=6205,361965\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/11\/tornado4.jpg\" alt=\"tornado4.jpg\" \/><\/a><\/p>\n<p>Lucille Handberg took her famous photo on 8th July, 1927 as the tornado passed by Jasper,\u00a0Minnesota. It&#8217;s a surprise to see from the account in <a href=\"http:\/\/news.google.com\/newspapers?nid=1368&amp;dat=19280902&amp;id=HVNQAAAAIBAJ&amp;sjid=yA4EAAAAIBAJ&amp;pg=6205,361965\" target=\"_blank\" rel=\"noopener\"><em>The Milwaukee Sentinel<\/em><\/a> that there&#8217;s at least one other picture. I tried searching for a larger image of the second photo but photo libraries still control its reproduction. The copy above is from an account of the tornado <a href=\"http:\/\/www.phenomena.org.uk\/tornadoes\/tornadoes\/jasper.html\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/11\/tornado2.jpg\" alt=\"tornado2.jpg\" \/><\/p>\n<p><em>Stormbringer (1974) by Deep Purple. Illustration by Joe Garnett, design by John Cabalka.<\/em><\/p>\n<p>Michael Moorcock has been known to complain that this album stole the title of one of his Elric novels, something the group denied. (There&#8217;s also an earlier album by John and Beverley Martyn with the same title.) Whatever the case, it&#8217;s a cover I&#8217;ve never liked; a winged horse trailing rainbow lightning&#8230;ugh. The painting (and tornado) wraps onto the back cover where there is indeed a storm brewing.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/11\/tornado3.jpg\" alt=\"tornado3.jpg\" \/><\/p>\n<p><em>Tinderbox (1986) by Siouxsie &amp; The Banshees.<\/em><\/p>\n<p>Much better is the sleeve for the Banshees&#8217; Tinderbox which puts the actual photo in either a frame or a window. (Or a box?) The design is by the Brothers Quay.<\/p>\n<p>While we&#8217;re on the subject, there&#8217;s a short video <a href=\"http:\/\/www.youtube.com\/watch?v=AxrL-30lZvs#t=133\" target=\"_blank\" rel=\"noopener\">here<\/a> showing the tornado tests for <em>The Wizard of Oz<\/em>. That equally famous tornado was created by a large muslin sock spinning its way through a miniature landscape, something which still looks remarkably effective.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/11\/tornado5.jpg\" alt=\"tornado5.jpg\" \/><\/p>\n<p><strong>Update:<\/strong> My thanks to\u00a0<a href=\"http:\/\/www.ideologic.org\/\" target=\"_blank\" rel=\"noopener\">Stephen O&#8217;Malley<\/a> for sending this view of a cyclone in Oklahoma.<\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-album-covers-archive\/\">The album covers archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A gust, a storme, a spoute, a loume gaile, an eddy wind, a flake of wind, a Turnado. Captain John Smith from An Accidence, or the Pathway to Experience Necessary for all Young Seamen (1626). In an age of storm chasers and increasingly spectacular photos, Lucille Handberg&#8217;s celebrated picture may seem undramatic, but for the &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/11\/15\/tornadoes\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Tornadoes&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,7,3,12],"tags":[6769,5390,591,168,5389,65,8705,1151,613],"class_list":["post-14517","post","type-post","status-publish","format-standard","hentry","category-design","category-film","category-music","category-photography","tag-beverley-martyn","tag-deep-purple","tag-elric","tag-john-martyn","tag-lucille-handberg","tag-michael-moorcock","tag-siouxsie","tag-siouxsie-the-banshees","tag-the-wizard-of-oz"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3M9","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14517","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=14517"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14517\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=14517"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=14517"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=14517"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}