{"id":14503,"date":"2013-11-10T03:16:34","date_gmt":"2013-11-10T03:16:34","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=14503"},"modified":"2013-11-14T02:50:52","modified_gmt":"2013-11-14T02:50:52","slug":"weekend-links-185","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/11\/10\/weekend-links-185\/","title":{"rendered":"Weekend links 185"},"content":{"rendered":"

\"rondelli.jpg\"<\/a><\/p>\n

L’uomo che piantava gli alberi (2013) by Sofia Rondelli<\/a>. Via Form Is Void<\/a>.<\/em><\/p>\n

\u2022 I’m looking forward to hearing the new album by Chrome Hoof<\/a>, a band whose ambition and attitude makes many of their contemporaries seem lukewarm at best. Mick Middles gets to grips with Chrome Black Gold<\/em> here<\/a>. John Doran<\/a> interviewed the group in 2010, a piece which includes a Chrome Hoof mix of tracks by other artists.<\/p>\n

\u2022 Jay Roberts<\/a>: “I was a young Marine scout sniper, definitely his type. And for a single, unforgettable afternoon, Orange County\u2019s most notorious serial killer coaxed me into a place from which many didn\u2019t escape.”<\/p>\n

\u2022 Jonathan Meades<\/a>: “Why I went postal \u2026 and turned my snaps into postcards.” “Meades isn’t your average architectural fanboy,” says Rachel Cooke<\/a> who went to talk to him at his home in Marseille.<\/p>\n

“Faced with a Nabokov novel,” Zadie Smith writes, “it\u2019s impossible to rid yourself of the feeling that you\u2019ve been set a problem, as a chess master sets a problem in a newspaper.” Certainly, while Humbert asks the reader “not to mock me and my mental daze”, the suspicion is that the power dynamic in his tale is a little different.<\/p>\n

Tim Groenland<\/a> on the difficulties of writing, publishing and reading Lolita.<\/em><\/p><\/blockquote>\n

\u2022 Cosmic Machine<\/em><\/a> is a double-disc collection of French electronic music from the 1970s & 1980s. Justice enthuse about the music here<\/a> where you can also preview the tracks.<\/p>\n

\u2022 The Midnight Channel<\/em><\/a>, Evan J. Peterson’s horror-poetry homage to the VHS era, is available now from Babel\/Salvage. There’s a trailer here<\/a>.<\/p>\n

\u2022 “Our age reveres the specialist but humans are natural polymaths, at our best when we turn our minds to many things,” says Robert Twigger<\/a>.<\/p>\n

\u2022 Another musical Chrome: Richard Metzger<\/a> on newly resurrected recordings by one of my long-time cult bands.<\/p>\n

\u2022 Hermes Trismegistus and Hermeticism: An interview with Gary Lachman<\/a>.<\/p>\n

\u2022 A stunning set of photos of London<\/a> in the sweltering summer of 1976.<\/p>\n

\u2022 Pye Corner Audio<\/a> live at The Outer Church, Madrid, November 2013.<\/p>\n

\u2022 Judee Sill<\/a>, the shockingly talented occult folk singer time forgot.<\/p>\n

\u2022 Designer Jonathan Barnbrook<\/a> answers twenty questions.<\/p>\n

\u2022 Don’t trust the painting: Morgan Meis<\/a> on Ren\u00e9 Magritte.<\/p>\n

\u2022 Laurie Anderson’s farewell to Lou Reed<\/a>.<\/p>\n

\u2022 Philippe Druillet<\/a> at Pinterest.<\/p>\n

\u2022\u00a0The Chrome Plated Megaphone Of Destiny<\/em><\/a> (1968) by The Mothers of Invention | March Of The Chrome Police<\/em><\/a> (1979) by Chrome | Chrome<\/em><\/a> (1981) by Debbie Harry<\/p>\n","protected":false},"excerpt":{"rendered":"

L’uomo che piantava gli alberi (2013) by Sofia Rondelli. Via Form Is Void. \u2022 I’m looking forward to hearing the new album by Chrome Hoof, a band whose ambition and attitude makes many of their contemporaries seem lukewarm at best. Mick Middles gets to grips with Chrome Black Gold here. John Doran interviewed the group … Continue reading “Weekend links 185”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,9,4,29,5,3,16,44,12,18],"tags":[3534,1469,4360,1035,5367,3104,5369,3594,982,4059,5375,5373,1606,1302,5368,4004,863,4222,5370,115,4772,5374,5366,5376,5372,807,5371],"class_list":["post-14503","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-comics","category-design","category-electronica","category-gay","category-music","category-occult","category-painting","category-photography","category-surrealism","tag-chrome-group","tag-chrome-hoof","tag-debbie-harry","tag-evan-j-peterson","tag-form-is-void","tag-gary-lachman","tag-jay-roberts","tag-john-doran","tag-jonathan-barnbrook","tag-jonathan-meades","tag-judee-sill","tag-justice-group","tag-laurie-anderson","tag-lou-reed","tag-mick-middles","tag-morgan-meis","tag-philippe-druillet","tag-pye-corner-audio","tag-rachel-cooke","tag-magritte","tag-richard-metzger","tag-robert-twigger","tag-sofia-rondelli","tag-the-mothers-of-invention","tag-tim-groenland","tag-vladimir-nabokov","tag-zadie-smith"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3LV","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14503","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=14503"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14503\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=14503"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=14503"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=14503"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}