{"id":14433,"date":"2013-10-22T02:20:06","date_gmt":"2013-10-22T01:20:06","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=14433"},"modified":"2013-10-22T02:20:06","modified_gmt":"2013-10-22T01:20:06","slug":"wildeana-11","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/10\/22\/wildeana-11\/","title":{"rendered":"Wildeana 11"},"content":{"rendered":"<p><a href=\"http:\/\/archive.org\/stream\/happyprinceother02wild#page\/n7\/mode\/2up\" target=\"_blank\"><img decoding=\"async\" alt=\"wilde1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/10\/wilde1.jpg\" \/><\/a><\/p>\n<p><em><a href=\"http:\/\/archive.org\/stream\/happyprinceother02wild#page\/n7\/mode\/2up\" target=\"_blank\">The Happy Prince And Other Tales<\/a> (1888).<\/em><\/p>\n<p>Continuing an occasional series. Recent Wildean links.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.theguardian.com\/books\/2013\/oct\/16\/jeanette-winterson-fairytales-oscar-wilde\" target=\"_blank\">Jeanette Winterson<\/a> makes a persuasive case for the importance of Wilde&#8217;s stories for children: &#8220;Wilde had a streak of prophecy in him. The children&#8217;s stories can be read as notes from the future about Wilde&#8217;s fate. It is as though the little child in him was trying to warn him of the dangers his adult self would soon face. &#8216;Every single work of art is the fulfilment of a prophecy&#8217;, he writes in <em>De Profundis<\/em>.&#8221;<\/p>\n<p>\u2022 At the Morgan Library &amp; Museum: <a href=\"http:\/\/www.themorgan.org\/collections\/works\/wilde\/default.asp\" target=\"_blank\">a collection of Wilde&#8217;s manuscripts and letters<\/a>, including the MS of <em>The Selfish Giant<\/em>, one of the stories discussed in Winterson&#8217;s piece.<\/p>\n<p>\u2022 At The Smart Set: &#8220;Oscar Wilde abandoned journalism and hated fashion \u2013 so why is his essay <em>The Philosophy of Dress<\/em> so important?&#8221; asks <a href=\"http:\/\/www.thesmartset.com\/article\/article10101301.aspx\" target=\"_blank\">Nathaniel Popkin<\/a>.<\/p>\n<p><a href=\"http:\/\/archive.org\/stream\/womansworld00wildgoog#page\/n298\/mode\/1up\" target=\"_blank\"><img decoding=\"async\" alt=\"wilde2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/10\/wilde2.jpg\" \/><\/a><\/p>\n<p><em>The Pictures of Sappho from The Woman&#8217;s World.<\/em><\/p>\n<p>\u2022 Wilde&#8217;s <em>The Philosophy of Dress<\/em> led to his being asked to edit <em>The Lady&#8217;s World<\/em> in 1887, a magazine he promptly renamed <em>The Woman&#8217;s World<\/em>. He was editor for two years. A collected run of the magazine may be browsed <a href=\"http:\/\/archive.org\/stream\/womansworld00wildgoog#page\/n298\/mode\/thumb\" target=\"_blank\">here<\/a>.<\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-oscar-wilde-archive\/\">The Oscar Wilde archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Happy Prince And Other Tales (1888). Continuing an occasional series. Recent Wildean links. \u2022 Jeanette Winterson makes a persuasive case for the importance of Wilde&#8217;s stories for children: &#8220;Wilde had a streak of prophecy in him. The children&#8217;s stories can be read as notes from the future about Wilde&#8217;s fate. It is as though &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/10\/22\/wildeana-11\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Wildeana 11&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[42,57,5],"tags":[408,5310,116,1422],"class_list":["post-14433","post","type-post","status-publish","format-standard","hentry","category-books","category-fashion","category-gay","tag-jeanette-winterson","tag-nathaniel-popkin","tag-oscar-wilde","tag-sappho"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3KN","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14433","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=14433"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14433\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=14433"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=14433"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=14433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}