{"id":14425,"date":"2013-10-20T01:09:21","date_gmt":"2013-10-20T00:09:21","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=14425"},"modified":"2013-10-20T01:09:21","modified_gmt":"2013-10-20T00:09:21","slug":"weekend-links-182","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/10\/20\/weekend-links-182\/","title":{"rendered":"Weekend links 182"},"content":{"rendered":"<p><a href=\"http:\/\/thombeau.blogspot.co.uk\/2013\/10\/reika-iwami.html\" target=\"_blank\"><img decoding=\"async\" alt=\"iwami.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/10\/iwami.jpg\" \/><\/a><\/p>\n<p><em>Mirror of Water (1981) by <a href=\"http:\/\/thombeau.blogspot.co.uk\/2013\/10\/reika-iwami.html\" target=\"_blank\">Reika Iwami<\/a>.<\/em><\/p>\n<p>\u2022 The week in comics: <a href=\"http:\/\/www.paulgravett.com\/index.php\/articles\/article\/interview_enki_bilal\" target=\"_blank\">Paul Gravett interviews Enki Bilal<\/a>. | Paul Kirchner&#8217;s wordless and inventively surreal strip, <em>The Bus<\/em>, was republished in <a href=\"http:\/\/www.tanibis.net\/#\/le-bus\/\" target=\"_blank\">France<\/a> last year but it&#8217;s been out-of-print for years everywhere else. Read it online <a href=\"http:\/\/imgur.com\/a\/S3k3C#0\" target=\"_blank\">here<\/a>. | Bill Watterson has made the entire run of <a href=\"http:\/\/www.mediabistro.com\/galleycat\/calvin-and-hobbes-comics-online-for-free_b79101\" target=\"_blank\"><em>Calvin and Hobbes<\/em><\/a> available for free.<\/p>\n<p>\u2022 &#8220;&#8230;seek and learn to recognize who and what, in the midst of the inferno, are not inferno, then make them endure, give them space.&#8221; <a href=\"http:\/\/bostonreview.net\/books-ideas\/leland-de-la-durantaye-italo-calvino-letters\" target=\"_blank\">Leland de la Durantaye<\/a> reviews <em>Italo Calvino: Letters 1941\u20131985<\/em>.<\/p>\n<p>\u2022 Artist Charles Ross says &#8220;My interest in science is related to how mysterious it is.&#8221; <a href=\"http:\/\/www.aeonmagazine.com\/nature-and-cosmos\/star-axis-is-a-profound-meditation-on-the-sky\/\" target=\"_blank\">Ross Andersen<\/a> visited Ross&#8217;s <em>Star Axis<\/em>, &#8220;a masterpiece forty years in the making&#8221;.<\/p>\n<blockquote><p>There is a satirical intent at work here, as well as mordant humour, a potent mix that reminds one more of the absurdist fictions of the French jazz musician Boris Vian than of anything in the SF canon. Science fiction is not central in Harrison\u2019s work \u2013 not even as a target of his sharp wit \u2013 and it is a mistake to regard him as being chiefly interested in demolishing a genre that is only one of several he has mastered.<\/p>\n<p><em><a href=\"http:\/\/www.newstatesman.com\/2013\/10\/future-without-nostalgia\" target=\"_blank\">John Gray<\/a> on M. John Harrison&#8217;s Kefahuchi Tract trilogy. This week Harrison posted <a href=\"http:\/\/ambientehotel.wordpress.com\/2013\/10\/18\/the-room\/\" target=\"_blank\">a new piece of fiction<\/a> on his blog.<\/em><\/p><\/blockquote>\n<p>\u2022 Mixes of the week: <a href=\"http:\/\/secretthirteen.org\/secret-thirteen-mix-091-sugai-ken\" target=\"_blank\">Secret Thirteen Mix 091<\/a> by Sugai Ken, and <a href=\"http:\/\/www.mixcloud.com\/Hackneymarshman\/bride-of-the-abominable-marshman\/\" target=\"_blank\">Bride of the Abominable Marshman<\/a>, an early Halloween mix by Hackneymarshman.<\/p>\n<p>\u2022 Clive Hicks-Jenkins on <a href=\"http:\/\/clivehicksjenkins.wordpress.com\/2013\/10\/14\/schandmaskes-masks-of-shame\/\" target=\"_blank\"><em>Schandmasken<\/em><\/a> (masks of shame), and the clay visage of <a href=\"http:\/\/clivehicksjenkins.wordpress.com\/2013\/10\/16\/der-golem-the-mask-speaks\/\" target=\"_blank\">Paul Wegener&#8217;s <em>Golem<\/em><\/a>.<\/p>\n<p>\u2022 A version of Kraftwerk&#8217;s <em>Trans Europe Express<\/em> by Chicago band <a href=\"http:\/\/thequietus.com\/articles\/13626-disappears-kraftwerk-cover-trans-europe-express\" target=\"_blank\">Disappears<\/a>.<\/p>\n<p>\u2022 <em>Postcards to the Curious<\/em>: MR James-themed artwork by <a href=\"http:\/\/woody.bigcartel.com\/product\/postcards-to-the-curious\" target=\"_blank\">Alisdair Wood<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.hollywoodreporter.com\/news\/clive-barker-why-i-once-645017\" target=\"_blank\">Clive Barker<\/a>: Why I Once Gave Up Horror Movies Entirely.<\/p>\n<p>\u2022 Artist <a href=\"http:\/\/www.phantasmaphile.com\/2013\/10\/melinda-gebbie.html\" target=\"_blank\">Melinda Gebbie<\/a> at Phantasmaphile.<\/p>\n<p>\u2022 <a href=\"http:\/\/vimeo.com\/77125797\" target=\"_blank\"><em>Fragment<\/em><\/a>, a new video from Emptyset.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.theatlantic.com\/infocus\/2013\/10\/airships\/100607\/\" target=\"_blank\">38 photos of airships through the ages<\/a>.<\/p>\n<p>\u2022 This Much I Know: <a href=\"http:\/\/www.theguardian.com\/lifeandstyle\/2013\/oct\/19\/kenneth-anger-this-much-i-know\" target=\"_blank\">Kenneth Anger<\/a>.<\/p>\n<p>\u2022\u00a0<em><a href=\"http:\/\/www.youtube.com\/watch?v=C7Z9kNVTXS0\" target=\"_blank\">Trans Europe Express<\/a><\/em> (2000) by Se\u00f1or Coconut Y Su Conjunto | <em><a href=\"http:\/\/www.youtube.com\/watch?v=vYT16NuF3j8\" target=\"_blank\">Trans Europe Express<\/a><\/em> (2007) by Receptors | <a href=\"http:\/\/www.youtube.com\/watch?v=5o5zIkjfe4g\" target=\"_blank\"><em>Trans Europe Express<\/em><\/a> (2012) by Daniel Mantey<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mirror of Water (1981) by Reika Iwami. \u2022 The week in comics: Paul Gravett interviews Enki Bilal. | Paul Kirchner&#8217;s wordless and inventively surreal strip, The Bus, was republished in France last year but it&#8217;s been out-of-print for years everywhere else. Read it online here. | Bill Watterson has made the entire run of Calvin &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/10\/20\/weekend-links-182\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 182&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[8,2,42,9,29,7,22,3,20,41],"tags":[3864,5304,5297,3216,5299,1215,767,5307,5303,3188,3452,5302,407,4835,401,122,5298,2291,827,773,5296,3032,361,546,5306,5295,5300,5305,5301],"class_list":["post-14425","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-comics","category-electronica","category-film","category-horror","category-music","category-science-fiction","category-sculpture","tag-airships","tag-alisdair-wood","tag-bill-watterson","tag-boris-vian","tag-charles-ross","tag-clive-barker","tag-clive-hicks-jenkins","tag-daniel-mantey","tag-disappears-group","tag-emptyset","tag-enki-bilal","tag-hackneymarshman","tag-italo-calvino","tag-john-gray","tag-kenneth-anger","tag-kraftwerk","tag-leland-de-la-durantaye","tag-m-john-harrison","tag-melinda-gebbie","tag-mr-james","tag-paul-gravett","tag-paul-kirchner","tag-paul-wegener","tag-phantasmaphile","tag-receptors-musician","tag-reika-iwami","tag-ross-andersen","tag-senor-coconut-y-su-conjunto","tag-sugai-ken"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3KF","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14425","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=14425"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14425\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=14425"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=14425"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=14425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}