{"id":14336,"date":"2013-09-27T02:03:53","date_gmt":"2013-09-27T01:03:53","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=14336"},"modified":"2013-09-27T02:03:53","modified_gmt":"2013-09-27T01:03:53","slug":"andrey-avinoff-revisited","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/09\/27\/andrey-avinoff-revisited\/","title":{"rendered":"Andrey Avinoff revisited"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"avinoff1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/09\/avinoff1.jpg\" \/><\/p>\n<p>(My apologies for the recent downtime. The hosting for this site has been a bit more unstable than usual.)<\/p>\n<p>At a time when various Russians are <a href=\"http:\/\/www.theguardian.com\/music\/2013\/sep\/18\/tchaikovsky-not-gay-russian-minister\" target=\"_blank\">trying to rewrite their nation&#8217;s gay history<\/a>, there&#8217;s hardly been a better moment to remind ourselves of some of the people who contributed to that history. When I discovered the art of Andrey Avinoff (1884\u20131949) in 2007 most of the online examples of his work were in the collection of the Kinsey Institute. Avinoff was a friend of Kinsey&#8217;s (the artist escaped the revolution to live in the USA), and the professor no doubt took an interest in the evident homoeroticism of the drawings.<\/p>\n<p><img decoding=\"async\" alt=\"avinoff2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/09\/avinoff2.jpg\" \/><\/p>\n<p>The homoerotics (mostly male nudes in fantasy scenes) are combined with some remarkable occult designs in Avinoff&#8217;s 21 illustrations for <em>The Fall of Atlantis<\/em>, a book-length poem by George Golokhvastoff published in 1944. The book was a limited edition, and a complete set of the drawings wasn&#8217;t forthcoming in 2007 so it&#8217;s been great to find Javier at <a href=\"http:\/\/bajoelsignodelibra.blogspot.co.uk\/2013\/09\/andrey-avinoff-fall-of-atlantis.html\" target=\"_blank\">Bajo el Signo de Libra posting the complete set<\/a>. These are stunning illustrations which really ought to be seen by a wider audience; Avinoff isn&#8217;t a name you find very often in either the gay or the occult art world yet his draughtsmanship and imagination demand attention from both.<\/p>\n<p><img decoding=\"async\" alt=\"avinoff3.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/09\/avinoff3.jpg\" \/><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-gay-artists-archive\/\">The gay artists archive<\/a><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/06\/09\/the-art-of-andrey-avinoff-1884-1949\/\">The art of Andrey Avinoff, 1884\u20131949<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>(My apologies for the recent downtime. The hosting for this site has been a bit more unstable than usual.) At a time when various Russians are trying to rewrite their nation&#8217;s gay history, there&#8217;s hardly been a better moment to remind ourselves of some of the people who contributed to that history. When I discovered &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/09\/27\/andrey-avinoff-revisited\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Andrey Avinoff revisited&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,5,48,16],"tags":[5239,5238,4267,5240],"class_list":["post-14336","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-gay","category-illustrators","category-occult","tag-alfred-kinsey","tag-andrey-avinoff","tag-bajo-el-signo-de-libra","tag-george-golokhvastoff"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3Je","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14336","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=14336"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14336\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=14336"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=14336"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=14336"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}