{"id":14293,"date":"2013-09-14T03:05:10","date_gmt":"2013-09-14T02:05:10","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=14293"},"modified":"2013-09-14T03:05:10","modified_gmt":"2013-09-14T02:05:10","slug":"abraxas-4","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/09\/14\/abraxas-4\/","title":{"rendered":"Abraxas 4"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"abraxas4.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/09\/abraxas4.jpg\" \/><\/p>\n<p>My thanks to Livia Filotico at Fulgur Esoterica for sending these previews from the forthcoming issue of <em>Abraxas<\/em>, the Journal of Esoteric Studies. <em>Abraxas<\/em> is a beautifully produced large-format book whose artist interviews\u2014as I&#8217;ve mentioned before\u2014are especially valuable. Issue 4 will include:<\/p>\n<blockquote><p>Prof. Sarah Victoria Turner&#8217;s interview with artist Christine \u00d6dlund on theosophy and synaesthesia, a special feature on the Italian artist Agostino Arrivabene, a documentation of Art Angel artist Lindsay Seer\u2019s ancestral performance\/installation <em>Nowhere Less Now<\/em>, Shannon Taggart\u2019s extraordinary photographs of Brooklyn vodou and Valentin Wolfstein insightful analysis of the Mystic Fool. Following this tarot theme, the artist Francesca Ricci provides an account of her working with urban symbols, and their subsequent transformation into a unique tarot, titled <em>Anarca<\/em>.<\/p><\/blockquote>\n<p>Mention of combining urban symbols with the Tarot sounds especially interesting after I&#8217;ve recently <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/08\/13\/alas-vegas-tarot-cards\/\">dealt with that challenge myself<\/a>. Those who buy the limited edition hardback will receive a signed suite of Francesca Ricci&#8217;s Tarot cards. <em>Abraxas<\/em> 4 is published on September 22nd. Further details and page previews <a href=\"http:\/\/fulgur.co.uk\/shop\/abraxas\/issue-4\/\" target=\"_blank\">here<\/a>.<\/p>\n<p><img decoding=\"async\" alt=\"abraxas1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/09\/abraxas1.jpg\" \/><\/p>\n<p><em>Nowhere Less Now by Lindsay Seer.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"abraxas2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/09\/abraxas2.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"abraxas3.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/09\/abraxas3.jpg\" \/><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/05\/22\/abraxas-the-international-journal-of-esoteric-studies\/\">Abraxas: The International Journal of Esoteric Studies<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>My thanks to Livia Filotico at Fulgur Esoterica for sending these previews from the forthcoming issue of Abraxas, the Journal of Esoteric Studies. Abraxas is a beautifully produced large-format book whose artist interviews\u2014as I&#8217;ve mentioned before\u2014are especially valuable. Issue 4 will include: Prof. Sarah Victoria Turner&#8217;s interview with artist Christine \u00d6dlund on theosophy and synaesthesia, &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/09\/14\/abraxas-4\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Abraxas 4&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,16,44,12],"tags":[5174,4753,5175,5179,4806,5176,5177,552,5178],"class_list":["post-14293","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-occult","category-painting","category-photography","tag-abraxas-journal","tag-agostino-arrivabene","tag-christine-odlund","tag-francesca-ricci","tag-fulgur-esoterica","tag-lindsay-seer","tag-shannon-taggart","tag-tarot","tag-valentin-wolfstein"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3Ix","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=14293"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14293\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=14293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=14293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=14293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}