{"id":14256,"date":"2013-09-05T02:51:07","date_gmt":"2013-09-05T01:51:07","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=14256"},"modified":"2013-09-05T02:51:07","modified_gmt":"2013-09-05T01:51:07","slug":"electronic-music-review","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/09\/05\/electronic-music-review\/","title":{"rendered":"Electronic Music Review"},"content":{"rendered":"

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A new addition at the Ubuweb archives that’s catnip for anyone interested in the history of electronic music. Electronic Music Review<\/em><\/a> was Reynold Weidenaar & Robert Moog’s short-lived journal devoted to the world of electronic music at a time when the field was rapidly growing away from the academic, “serious” side of musical composition and being taken up by the pop world.<\/p>\n

All seven issues are present, running from January 1967 to July 1968. Pages of VCF circuit diagrams aren’t so interesting unless you’re an electronic engineer but the magazines also feature unique articles from composers who are now very well known, including Luciano Berio, Frederic Rzewski, Tod Dockstader, Henri Pousseur, Alvin Lucier and Jon Appleton. Despite the many women working in the field they evidently didn’t go looking for any to write for them. Granted, Wendy Carlos is among the contributors but in the late 60s she was still using the name Walter. In the later issues, Dockstader, Carlos and others review the recent electronic music releases. It’s especially fascinating to see an early reaction to albums such as Morton Subotnik’s Silver Apples of the Moon<\/em>, and the debut from The United States of America<\/a>, a cult favourite of mine for many years.<\/p>\n

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Scattered throughout the issues are ads for the latest studio gear and new album releases. One of these, The Nonesuch Guide to Electronic Music<\/em>, was compiled by Paul Beaver and Bernard Krause. The latter is still recording, and happens to be interviewed in the current issue of Arthur Magazine<\/em><\/a>.<\/p>\n

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Previously on { feuilleton }
\n\u2022 Tonto\u2019s expanding frog men<\/a>
\n\u2022 A Clockwork Orange: The Complete Original Score<\/a>
\n\u2022 White Noise: Electric Storms, Radiophonics and the Delian Mode<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

A new addition at the Ubuweb archives that’s catnip for anyone interested in the history of electronic music. Electronic Music Review was Reynold Weidenaar & Robert Moog’s short-lived journal devoted to the world of electronic music at a time when the field was rapidly growing away from the academic, “serious” side of musical composition and … Continue reading “Electronic Music Review”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[29,43,3],"tags":[3512,1164,5144,5136,5138,5139,3041,5141,5143,5134,5135,4116,5142,5137,119,5140,877],"class_list":["post-14256","post","type-post","status-publish","format-standard","hentry","category-electronica","category-magazines","category-music","tag-alvin-lucier","tag-arthur-magazine","tag-bernard-krause","tag-frederic-rzewski","tag-henri-pousseur","tag-jon-appleton","tag-luciano-berio","tag-morton-subotnik","tag-paul-beaver","tag-reynold-weidenaar","tag-robert-moog","tag-silver-apples","tag-the-united-states-of-america-group","tag-tod-dockstader","tag-ubuweb","tag-walter-carlos","tag-wendy-carlos"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3HW","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=14256"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14256\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=14256"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=14256"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=14256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}