{"id":14246,"date":"2013-09-02T02:29:11","date_gmt":"2013-09-02T01:29:11","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=14246"},"modified":"2013-09-02T05:13:19","modified_gmt":"2013-09-02T04:13:19","slug":"max-and-dorothea","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/09\/02\/max-and-dorothea\/","title":{"rendered":"Max and Dorothea"},"content":{"rendered":"

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\nPhoto by Arnold Newman (1942).<\/em><\/p>\n

I love this photo of Max Ernst by Arnold Newman, one of several pictures of the artist together with Dorothea Tanning in Max Ernst: A Retrospective<\/em>, a catalogue for a 1975 Guggenheim Museum exhibition at the Internet Archive. The catalogue itself isn’t so revelatory (and most of the reproductions are monochrome) but it’s good to see a connection made between Arnold B\u00f6cklin’s Isle of the Dead<\/em> and Ernst’s work. It’s an obvious parallel: all those porous landscapes and “fishbone forests” which offer a kind of mutated Symbolism. Browse the book here<\/a> or download it here<\/a>.<\/p>\n

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Photo by Henri Cartier-Bresson (1961).<\/em><\/p>\n

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Photo by Frederick Sommer (1946).<\/em><\/p>\n

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No photographer credited.<\/em><\/p>\n

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Photo by Frederick Sommer (1946).<\/em><\/p>\n

Previously on { feuilleton }
\n\u2022 Dorothea Tanning, 1910\u20132012<\/a>
\n\u2022 Dreams That Money Can Buy<\/a>
\n\u2022 La femme 100 t\u00eates by Eric Duvivier<\/a>
\n\u2022 A Picture to Dream Over: The Isle of the Dead<\/a>
\n\u2022 Dorothea Tanning: Early Designs for the Stage<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Photo by Arnold Newman (1942). I love this photo of Max Ernst by Arnold Newman, one of several pictures of the artist together with Dorothea Tanning in Max Ernst: A Retrospective, a catalogue for a 1975 Guggenheim Museum exhibition at the Internet Archive. The catalogue itself isn’t so revelatory (and most of the reproductions are … Continue reading “Max and Dorothea”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,12,18],"tags":[267,1180,112],"class_list":["post-14246","post","type-post","status-publish","format-standard","hentry","category-art","category-photography","category-surrealism","tag-arnold-bocklin","tag-dorothea-tanning","tag-max-ernst"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3HM","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14246","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=14246"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14246\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=14246"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=14246"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=14246"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}