{"id":14213,"date":"2013-08-27T02:14:38","date_gmt":"2013-08-27T01:14:38","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=14213"},"modified":"2013-08-27T02:19:20","modified_gmt":"2013-08-27T01:19:20","slug":"the-art-of-roland-cat","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/08\/27\/the-art-of-roland-cat\/","title":{"rendered":"The art of Roland Cat"},"content":{"rendered":"<p><a href=\"http:\/\/ecx.images-amazon.com\/images\/I\/A1YTmMSodwL._SL1500_.jpg\" target=\"_blank\"><img decoding=\"async\" alt=\"cat02.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/08\/cat02.jpg\" \/><\/a><\/p>\n<p><em>The Rime of the Ancient Mariner (Axium, 1969).<\/em><\/p>\n<p>The work of French artist Roland Cat is less Surreal\u2014although some of it could be classed as such\u2014than Fantastic in a manner similar to that of contemporaries such as Michel Henricot, Jean-Pierre Ugarte, Jean-Marie Poumeyrol, G\u00e9rard Trignac and others.\u00a0Art of this nature receives support and encouragement from the French to a degree which often seems inversely proportional to the ignorance it receives from the Anglophone art world. For years the only example of Cat&#8217;s work I&#8217;d seen was the picture that Dave Britton used on the cover of the Savoy edition of <a href=\"http:\/\/www.sfcovers.net\/Magazines\/NW\/NW_0216.jpg\" target=\"_blank\"><em>New Worlds<\/em> magazine<\/a> in 1979. The examples here are the result of a web trawl, hence the missing titles and dates.<\/p>\n<p>The Coleridge illustration above was for a volume that was part of a series produced by a French publisher in 1969, each edition of which was illustrated by a different artist. <a href=\"http:\/\/forums.bdfi.net\/viewtopic.php?id=1334\" target=\"_blank\">This forum post<\/a> has more details. For more about Roland Cat see <a href=\"http:\/\/visionaryrevue.com\/webtext3\/visartfr16.html\" target=\"_blank\">this short appraisal<\/a> at Visionary Review.<\/p>\n<p><img decoding=\"async\" alt=\"cat08.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/08\/cat08.jpg\" \/><\/p>\n<p><em>Sleep (1980).<\/em><\/p>\n<p><img decoding=\"async\" alt=\"cat01.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/08\/cat01.jpg\" \/><\/p>\n<p><em>Dagon (Belfond, 1987).<\/em><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" alt=\"cat03.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/08\/cat03.jpg\" \/><\/p>\n<p><em>The Survivor.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"cat04.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/08\/cat04.jpg\" \/><\/p>\n<p><em>Volcano.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"cat05.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/08\/cat05.jpg\" \/><\/p>\n<p><a href=\"http:\/\/www.almanart.com\/IMG\/Image\/permanentes5\/cat-roland_bassin_1994.jpg\" target=\"_blank\"><img decoding=\"async\" alt=\"cat06.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/08\/cat06.jpg\" \/><\/a><\/p>\n<p><em>Bassin (1994).<\/em><\/p>\n<p><a href=\"http:\/\/collectionneursarts.unblog.fr\/files\/2011\/01\/cat1.jpg\" target=\"_blank\"><img decoding=\"async\" alt=\"cat07.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/08\/cat07.jpg\" \/><\/a><\/p>\n<p><img decoding=\"async\" alt=\"cat09.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/08\/cat09.jpg\" \/><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-fantastic-art-archive\/\">The fantastic art archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Rime of the Ancient Mariner (Axium, 1969). The work of French artist Roland Cat is less Surreal\u2014although some of it could be classed as such\u2014than Fantastic in a manner similar to that of contemporaries such as Michel Henricot, Jean-Pierre Ugarte, Jean-Marie Poumeyrol, G\u00e9rard Trignac and others.\u00a0Art of this nature receives support and encouragement from &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/08\/27\/the-art-of-roland-cat\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The art of Roland Cat&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,21,44,18],"tags":[394,4655,5114,422,5113,346,5112,3192,493],"class_list":["post-14213","post","type-post","status-publish","format-standard","hentry","category-art","category-fantasy","category-painting","category-surrealism","tag-david-britton","tag-gerard-trignac","tag-jean-marie-poumeyrol","tag-jean-pierre-ugarte","tag-michel-henricot","tag-new-worlds","tag-roland-cat","tag-samuel-taylor-coleridge","tag-the-savoy"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3Hf","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=14213"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14213\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=14213"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=14213"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=14213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}