{"id":14175,"date":"2013-08-18T02:03:44","date_gmt":"2013-08-18T01:03:44","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=14175"},"modified":"2025-09-20T19:25:51","modified_gmt":"2025-09-20T18:25:51","slug":"weekend-links-173","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/08\/18\/weekend-links-173\/","title":{"rendered":"Weekend links 173"},"content":{"rendered":"

\"orszag.jpg\"<\/a><\/p>\n

Icarus (1974\u201375) by Lili Orsz\u00e1g<\/a>.<\/em><\/p>\n

\u2022 The Cabaret Voltaire albums released on the Virgin label in the 1980s have suffered the same shoddy treatment on CD as other Virgin reissues, a situation to be rectified in November with an extensive revisiting of the CV back catalogue<\/a>. The long-overdue reappraisal will also include the release of Earthshaker<\/em>, a collection of previously unavailable recordings from the Virgin period.<\/p>\n

\u2022 It’s that book again: Design Observer<\/a> has the preface from Lolita \u2014 The Story of a Cover Girl: Vladimir Nabokov\u2019s novel in art and design<\/em>, a book by John Bertram and Yuri Leving. At The Millions<\/a> John Bertram talks to designer John Gall about the problems Lolita<\/em> poses for cover designers.<\/p>\n

\u2022 Jerry Lewis’s The Day the Clown Cried<\/em> (1972) has acquired legendary status over the years for the apparent tastelessness of its subject matter\u2014a clown in Auschwitz\u2014and the fact that its director\/star has never allowed the film to be seen in public. This week some footage arrived on YouTube<\/a>.<\/p>\n

\u2022 Candy Bullets And Moon<\/em><\/a> (1967), a one-off psychedelic collaboration between Don Preston and Meredith Monk.<\/p>\n

\u2022 What’s the collective term for many bookshops? Whatever it is, there’s a lot of them in this Pinterest collection<\/a>.<\/p>\n

\u2022 At Dangerous Minds<\/a>: Artist Gail Potocki\u2019s exploration of Alice in Wonderland and the passing of time.<\/p>\n

\u2022 Anne Billson<\/a> on the late Karen Black and why horror movies deserve our respect.<\/p>\n

\u2022 Tobias Carroll<\/a> on the Surreal life and fiction of Leonora Carrington.<\/p>\n

\u2022 More details emerge about The Wicker Man \u2013 The Final Cut<\/em><\/a>.<\/p>\n

\u2022 Issue 35 of Arthur Magazine<\/em><\/a> is now available for order.<\/p>\n

\u2022 Graphics, drawings and collages by Jan \u0160vankmajer<\/a>.<\/p>\n

\u2022 Every film poster designed by Saul Bass<\/a>.<\/p>\n

\u2022 Cabaret Voltaire: Just Fascination<\/em><\/a> (1983) | Sensoria<\/em><\/a> (1984) | I Want You<\/em><\/a> (1985)<\/p>\n","protected":false},"excerpt":{"rendered":"

Icarus (1974\u201375) by Lili Orsz\u00e1g. \u2022 The Cabaret Voltaire albums released on the Virgin label in the 1980s have suffered the same shoddy treatment on CD as other Virgin reissues, a situation to be rectified in November with an extensive revisiting of the CV back catalogue. The long-overdue reappraisal will also include the release of … Continue reading “Weekend links 173”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,1029,4,29,7,22,43,3,44,18],"tags":[4179,1164,150,3555,5090,5093,5094,375,5092,3460,809,4930,731,5089,4313,436,195,5095,807,5180,5091],"class_list":["post-14175","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-collage","category-design","category-electronica","category-film","category-horror","category-magazines","category-music","category-painting","category-surrealism","tag-anne-billson","tag-arthur-magazine","tag-cabaret-voltaire","tag-dangerous-minds","tag-design-observer","tag-don-preston","tag-gail-potocki","tag-jan-svankmajer","tag-jerry-lewis","tag-john-bertram","tag-john-gall","tag-karen-black","tag-leonora-carrington","tag-lili-orszag","tag-meredith-monk","tag-saul-bass","tag-the-wicker-man","tag-tobias-carroll","tag-vladimir-nabokov","tag-wicker-man","tag-yuri-leving"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3GD","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14175","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=14175"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14175\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=14175"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=14175"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=14175"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}