{"id":14173,"date":"2013-08-17T02:49:05","date_gmt":"2013-08-17T01:49:05","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=14173"},"modified":"2013-08-17T02:49:05","modified_gmt":"2013-08-17T01:49:05","slug":"a-trip-to-the-moon-1901","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/08\/17\/a-trip-to-the-moon-1901\/","title":{"rendered":"A Trip to the Moon, 1901"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"expo1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/08\/expo1.jpg\" \/><\/p>\n<p><em>On the Airship Luna, visiting the Queer City of the Moon, and the wonderful Palace of the Man in the Moon.<\/em><\/p>\n<p>An artist&#8217;s rendering of Frederic Thompson&#8217;s amusement ride created for the Pan-American Exposition of 1901 which is no doubt more impressive than was the earthbound reality. Thompson&#8217;s ride pre-dates Georges M\u00e9li\u00e8s&#8217; <em>Le Voyage dans la Lune<\/em> by a year, and while both lunar excursions owe something to HG Wells, whose <em>The First Men in the Moon<\/em> was published in 1901, the Wikipedia description of Thompson&#8217;s ride sounds very similar to the M\u00e9li\u00e8s film:<\/p>\n<blockquote><p>The first version of the ride involved a simulated trip for thirty passengers from the fairgrounds to the Moon aboard the airship-ornithopter Luna, with visions displayed of Niagara Falls, the North American continent and the Earth&#8217;s disc. The passengers then left the craft to walk around a cavernous papier-m\u00e2ch\u00e9 lunar surface peopled by costumed characters playing Selenites, and there visiting the palace of the Man in the Moon with its dancing &#8220;moon maidens&#8221;, before finally leaving the attraction through a Mooncalf&#8217;s mouth.<\/p><\/blockquote>\n<p>Thompson&#8217;s attraction was later relocated to Coney Island where it gave its name to the Luna Park created there, a name subsequently passed on to all the other Luna Parks worldwide. The illustration is from <em>One Hundred Views of the Pan-American Exposition, Buffalo and Niagara Falls<\/em> (1901) which includes some views of the other attractions and exhibits. This exposition was on a smaller scale than some of those that came before and after, and includes a couple of features that appear plagiarised from earlier shows, notably &#8220;Roltair&#8217;s House Upside Down&#8221; which might have been inspired by the <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/12\/11\/le-manoir-a-lenvers\/\">Upside-Down Manor<\/a> at the Exposition Universelle in Paris the year before. I appear to have exhausted the Paris exposition as a subject but the fascination with these events persists, especially when they turn up oddities such as these. Browse the rest of the book <a href=\"http:\/\/archive.org\/stream\/onehundredviewso00buff#page\/n36\/mode\/thumb\" target=\"_blank\">here<\/a> or download it <a href=\"https:\/\/ia600506.us.archive.org\/28\/items\/onehundredviewso00buff\/\" target=\"_blank\">here<\/a>.<\/p>\n<p><img decoding=\"async\" alt=\"expo2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/08\/expo2.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"expo3.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/08\/expo3.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"expo4.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/08\/expo4.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"expo5.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/08\/expo5.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"expo6.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/08\/expo6.jpg\" \/><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/02\/16\/le-voyage-dans-la-lune\/\">Le Voyage dans la Lune<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/08\/07\/a-trip-to-mars\/\">A Trip to Mars<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/01\/03\/lunation-art-on-the-moon\/\">Lunation: Art on the Moon<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/10\/08\/somnium-by-steve-moore\/\">Somnium by Steve Moore<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/05\/06\/mushrooms-on-the-moon\/\">Mushrooms on the Moon<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/03\/02\/filippo-morghens-voyage-to-the-moon\/\">Filippo Morghen\u2019s Voyage to the Moon<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>On the Airship Luna, visiting the Queer City of the Moon, and the wonderful Palace of the Man in the Moon. An artist&#8217;s rendering of Frederic Thompson&#8217;s amusement ride created for the Pan-American Exposition of 1901 which is no doubt more impressive than was the earthbound reality. Thompson&#8217;s ride pre-dates Georges M\u00e9li\u00e8s&#8217; Le Voyage dans &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/08\/17\/a-trip-to-the-moon-1901\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;A Trip to the Moon, 1901&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,42,7,20],"tags":[120,5088,1662,264],"class_list":["post-14173","post","type-post","status-publish","format-standard","hentry","category-architecture","category-books","category-film","category-science-fiction","tag-expositions","tag-frederic-thompson","tag-georges-melies","tag-hg-wells"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3GB","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14173","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=14173"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14173\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=14173"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=14173"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=14173"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}