![\"anderson.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/07\/anderson.jpg\")
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Cover illustration by Gray Morrow, 1967. One of the less exploitative examples from a collection of hippy book covers<\/a>.<\/em><\/p>\n \u2022 Ten Photographs by Alain Resnais: Mise en sc\u00e8ne of Memory, Aesthetics of Silence by Ehsan Khoshbakht<\/a>. In the comments to that post someone shows an old Penguin book with cover photos by Chris Marker. This confirms that the “C. Marker” whose name I found on the back of another Penguin book<\/a> was indeed Monsieur Chat.<\/p>\n \u2022 There’s more (there’s always more…): Cornelius Castoriadis interviewed by Chris Marker<\/a> in 1989, the complete footage of an interview edited down for Marker’s TV series L’h\u00e9ritage de la chouette<\/em> (The Owl’s Legacy<\/em>). Watch the series itself at YouTube<\/a>.<\/p>\n \u2022 “A generation of innovators want to change the way we have sex and consume porn, but Google, Apple, and Amazon won’t let them,” says Andrea Garcia-Vargas<\/a>. Related: Sam Biddle<\/a> on how Tumblr is pushing porn into an internet sex ghetto.<\/p>\n \u2022 Mix of the week: the Chop Quietus Mix<\/a>, “a jagged journey all the way from Broadcast to the uneasy thrum of Suicide, kosmische flavours from Popol Vuh and Cluster, Alexander Robotnik and many more.”<\/p>\n \u2022 Strange Flowers<\/a> looked back at The Student of Prague:<\/em> “the first art film, the first horror film and the first auteur film”, and now a century old.<\/p>\n \u2022 Clive Hicks-Jenkins<\/a> talked to animator Barry Purves about the pleasures and difficulties of creating animated films for adults.<\/p>\n \u2022 Mazzy Star released a song, California<\/em><\/a>, from their new album which arrives in September. Can’t wait.<\/p>\n \u2022 Suzanne Ciani<\/a>, “American Delia Derbyshire of the Atari Generation” explains synthesizers, 1980.<\/p>\n \u2022 Christer Str\u00f6mholm<\/a>‘s photos of Parisian transgender communities in the 1950s.<\/p>\n \u2022 What are These Giant Concrete Arrows Across the American Landscape?<\/a><\/p>\n \u2022 How Kiyoshi Izumi<\/a> built the psych ward of the future by dropping acid.<\/p>\n \u2022 Alan Moore: The revolution will be crowd-funded<\/a>.<\/p>\n \u2022 Fuck Yeah Mazzy Star<\/a><\/p>\n \u2022 Suzanne Ciani: Lixiviation<\/a><\/em> | The First Wave\u2014Birth Of Venus<\/a><\/em> (1982) | The Eighth Wave<\/a><\/em> (1986)<\/p>\n","protected":false},"excerpt":{"rendered":" Cover illustration by Gray Morrow, 1967. One of the less exploitative examples from a collection of hippy book covers. \u2022 Ten Photographs by Alain Resnais: Mise en sc\u00e8ne of Memory, Aesthetics of Silence by Ehsan Khoshbakht. In the comments to that post someone shows an old Penguin book with cover photos by Chris Marker. This … Continue reading “Weekend links 169”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,851,29,7,22,3,12,14,15,19],"tags":[2384,103,5004,5000,5005,4158,88,5007,767,4999,183,4998,3771,5006,124,2427,1900,5001,2419,5002,3593],"class_list":["post-14053","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-drugs","category-electronica","category-film","category-horror","category-music","category-photography","category-politics","category-technology","category-television","tag-alain-resnais","tag-alan-moore","tag-alexander-robotnik","tag-andrea-garcia-vargas","tag-barry-purves","tag-broadcast-group","tag-chris-marker","tag-christer-stromholm","tag-clive-hicks-jenkins","tag-cornelius-castoriadis","tag-delia-derbyshire","tag-ehsan-khoshbakht","tag-gray-morrow","tag-kiyoshi-izumi","tag-lsd","tag-mazzy-star","tag-popol-vuh","tag-sam-biddle","tag-strange-flowers","tag-suicide-group","tag-suzanne-ciani"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3EF","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14053","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=14053"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14053\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=14053"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=14053"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=14053"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}