{"id":1397,"date":"2007-02-01T03:50:51","date_gmt":"2007-02-01T03:50:51","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=1397"},"modified":"2023-01-28T15:16:29","modified_gmt":"2023-01-28T15:16:29","slug":"james-bidgood","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/02\/01\/james-bidgood\/","title":{"rendered":"James Bidgood"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/02\/bidgood1.jpg\" alt=\"bidgood1.jpg\" \/><\/p>\n<p><em>Bobby Looking Out Shuttered Window from Pink Narcissus<\/em><em>, mid- to late 1960s.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/02\/bidgood2.jpg\" alt=\"bidgood2.jpg\" \/><\/p>\n<p><em>Blue Boy from Pink Narcissus <\/em><em>(Bobby Kendall), mid- to late 1960s.<\/em><\/p>\n<p>James Bidgood&#8217;s deliriously rich photographs are currently on exhibition at <a href=\"http:\/\/www.clampart.com\/index.html\" target=\"_blank\" rel=\"noopener\">Clampart<\/a> in New York, and the show includes stills from his classic film <a href=\"http:\/\/www.notcoming.com\/reviews.php?id=162\" target=\"_blank\" rel=\"noopener\"><em>Pink Narcissus<\/em><\/a>. Bidgood discusses his work <a href=\"http:\/\/www.brightlightsfilm.com\/52\/bidgoodiv.htm\" target=\"_blank\" rel=\"noopener\">here<\/a>. And for those of us not in NYC, there&#8217;s a <a href=\"http:\/\/www.amazon.co.uk\/gp\/product\/3822874272?ie=UTF8&amp;tag=ateliercoulth-21&amp;linkCode=as2&amp;camp=1634&amp;creative=6738&amp;creativeASIN=3822874272\" target=\"_blank\" rel=\"noopener\">Taschen collection<\/a> available.<\/p>\n<p>James Bidgood: Photographs from the 1960s<br \/>\nJanuary 4th\u2013February 17th, 2007<br \/>\nClampart<br \/>\n521\u2013531 West 25th Street<br \/>\nGround Floor<br \/>\nNew York City 10001<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/01\/03\/kenneth-anger-on-dvdfinally\/\">Kenneth Anger on DVD&#8230;finally<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/04\/16\/un-chant-damour-by-jean-genet\/\">Un Chant d&#8217;Amour by Jean Genet<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bobby Looking Out Shuttered Window from Pink Narcissus, mid- to late 1960s. Blue Boy from Pink Narcissus (Bobby Kendall), mid- to late 1960s. James Bidgood&#8217;s deliriously rich photographs are currently on exhibition at Clampart in New York, and the show includes stills from his classic film Pink Narcissus. Bidgood discusses his work here. And for &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/02\/01\/james-bidgood\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;James Bidgood&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[36,7,5,12],"tags":[490,489,751,401,225],"class_list":["post-1397","post","type-post","status-publish","format-standard","hentry","category-eye-candy","category-film","category-gay","category-photography","tag-bobby-kendall","tag-james-bidgood","tag-jean-genet","tag-kenneth-anger","tag-narcissus"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-mx","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/1397","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=1397"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/1397\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=1397"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=1397"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=1397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}