{"id":13949,"date":"2013-06-27T02:27:35","date_gmt":"2013-06-27T01:27:35","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=13949"},"modified":"2013-06-27T02:27:35","modified_gmt":"2013-06-27T01:27:35","slug":"the-sea-of-monsters","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/06\/27\/the-sea-of-monsters\/","title":{"rendered":"The Sea of Monsters"},"content":{"rendered":"<p><a href=\"http:\/\/one1more2time3.files.wordpress.com\/2009\/10\/edelmann1434.jpg\" target=\"_blank\"><img decoding=\"async\" alt=\"beatles1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/06\/beatles1.jpg\" \/><\/a><\/p>\n<p>The German definite article has unfortunate implications when applied to a group of Brits, but if we overlook this detail the poster makes an interesting contrast with its US counterpart. Where the American design depicts all the film&#8217;s main characters, Heinz Edelmann&#8217;s painting concentrates almost solely on the creatures from the Sea of Monsters with no Blue Meanies in sight. As is often the case with film posters, both designs give a slightly different impression whilst being accurate in their selective representations. <a href=\"http:\/\/yellowsubmarine.com\/\" target=\"_blank\"><em>Yellow Submarine<\/em><\/a> was reissued on DVD and Blu-ray last year. It looks and sounds marvellous.<\/p>\n<p><a href=\"http:\/\/impawards.com\/1968\/yellow_submarine_xlg.html\" target=\"_blank\"><img decoding=\"async\" alt=\"beatles2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/06\/beatles2.jpg\" \/><\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/06\/29\/tomorrow-never-knows\/\">Tomorrow Never Knows<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/04\/17\/yellow-submarine-comic-books\/\">Yellow Submarine comic books<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/06\/01\/a-splendid-time-is-guaranteed-for-all\/\">A splendid time is guaranteed for all<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/04\/19\/heinz-edelmann\/\">Heinz Edelmann<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/12\/28\/please-mr-postman\/\">Please Mr. Postman<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/11\/18\/all-you-need-is\/\">All you need is\u2026<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The German definite article has unfortunate implications when applied to a group of Brits, but if we overlook this detail the poster makes an interesting contrast with its US counterpart. Where the American design depicts all the film&#8217;s main characters, Heinz Edelmann&#8217;s painting concentrates almost solely on the creatures from the Sea of Monsters with &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/06\/27\/the-sea-of-monsters\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The Sea of Monsters&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,7,3,17],"tags":[585,178,340],"class_list":["post-13949","post","type-post","status-publish","format-standard","hentry","category-design","category-film","category-music","category-psychedelia","tag-heinz-edelmann","tag-the-beatles","tag-yellow-submarine"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3CZ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13949","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=13949"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13949\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=13949"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=13949"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=13949"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}