{"id":13882,"date":"2013-06-11T02:16:46","date_gmt":"2013-06-11T01:16:46","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=13882"},"modified":"2013-06-11T02:16:46","modified_gmt":"2013-06-11T01:16:46","slug":"fortune-illustrators","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/06\/11\/fortune-illustrators\/","title":{"rendered":"Fortune illustrators"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"fortune19.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/06\/fortune19.jpg\" \/><\/p>\n<p><em>Chemicals by Ronald Searle, November 1963.<\/em><\/p>\n<p>More from the pages of <em>Fortune<\/em> magazine via the labour of love which is <a href=\"http:\/\/www.fulltable.com\/vts\/f\/fortune\/menud.htm\" target=\"_blank\">the VTS archive<\/a>. A good reminder of the degree to which some magazines used to support many different kinds of illustrators and designers. The serious piece by Ronald Searle was a surprise since I thought he&#8217;d given up that kind of work by 1963. Below there&#8217;s a 3D caricature of Robert Kennedy by Gerald Scarfe.<\/p>\n<p><img decoding=\"async\" alt=\"fortune21.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/06\/fortune21.jpg\" \/><\/p>\n<p><em>Poster Portfolio by Cassandre, 1937.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fortune22.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/06\/fortune22.jpg\" \/><\/p>\n<p><em>Incantation by Charles Sheeler, 1946.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fortune26.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/06\/fortune26.jpg\" \/><\/p>\n<p><em>RCA Building by Walton Blodgett, date unknown.<\/em><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" alt=\"fortune20.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/06\/fortune20.jpg\" \/><\/p>\n<p><em>Robert Kennedy by Gerald Scarfe, March 1968.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fortune23.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/06\/fortune23.jpg\" \/><\/p>\n<p><em>An Artist in the Tractor Factory by Hedda Sterne, July 1961.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fortune24.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/06\/fortune24.jpg\" \/><\/p>\n<p><em>Poster Portfolio by Cassandre, 1937.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"fortune25.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/06\/fortune25.jpg\" \/><\/p>\n<p><em>Manhattan Antennas by Francis Criss, May 1938.<\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-illustrators-archive\/\">The illustrators archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/06\/07\/fortune-in-june\/\">Fortune in June<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chemicals by Ronald Searle, November 1963. More from the pages of Fortune magazine via the labour of love which is the VTS archive. A good reminder of the degree to which some magazines used to support many different kinds of illustrators and designers. The serious piece by Ronald Searle was a surprise since I thought &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/06\/11\/fortune-illustrators\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Fortune illustrators&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,48,43],"tags":[4884,4860,4887,3197,4886,4883,1077,4885],"class_list":["post-13882","post","type-post","status-publish","format-standard","hentry","category-art","category-illustrators","category-magazines","tag-cassandre","tag-charles-sheeler","tag-francis-criss","tag-gerald-scarfe","tag-hedda-sterne","tag-robert-kennedy","tag-ronald-searle","tag-walton-blodgett"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3BU","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13882","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=13882"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13882\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=13882"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=13882"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=13882"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}