{"id":13863,"date":"2013-06-06T01:46:51","date_gmt":"2013-06-06T00:46:51","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=13863"},"modified":"2013-06-06T05:01:58","modified_gmt":"2013-06-06T04:01:58","slug":"tamara-karsavinas-salome","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/06\/06\/tamara-karsavinas-salome\/","title":{"rendered":"Tamara Karsavina&#8217;s Salom\u00e9"},"content":{"rendered":"<p><a href=\"http:\/\/3.bp.blogspot.com\/_qTDAEasFLtU\/S50Yigtx7yI\/AAAAAAAAG8A\/5IXav26TGrs\/s1600-h\/Salome+-+portrait+of+Tamara+Karsavina+by+G+Barbier,+1914.jpg\" target=\"_blank\"><img decoding=\"async\" alt=\"barbier.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/06\/barbier.jpg\" \/><\/a><\/p>\n<p><em>Salom\u00e9: portrait of Tamara Karsavina (1914) by George Barbier.<\/em><\/p>\n<p>A slight return to the Russian ballet, and another Barbier portrait. Tamara Karsavina danced lead roles for the Ballets Russes, most notably with Nijinsky in the original performances of <em>The Firebird<\/em>. The pictures here are from <em>La Tragedie de Salome<\/em>, a ballet with music by Florent Schmitt, and costumes based on Beardsley&#8217;s illustrations by Sergei Sudeikin, another member of the Diaghilev circle.<\/p>\n<p><a href=\"http:\/\/1.bp.blogspot.com\/_kB64emkj-pU\/S_e90KDrvaI\/AAAAAAAAOw4\/ZeqTRYoywyE\/s1600\/imgg095.jpg\" target=\"_blank\"><img decoding=\"async\" alt=\"karsavina.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/06\/karsavina.jpg\" \/><\/a><\/p>\n<p><em>Tamara Karsavina as Salom\u00e9 in the Beecham Russian ballet season, 1913.<\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-salome-archive\/\">The Salom\u00e9 archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/05\/31\/george-barbiers-nijinsky\/\">George Barbier\u2019s Nijinsky<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Salom\u00e9: portrait of Tamara Karsavina (1914) by George Barbier. A slight return to the Russian ballet, and another Barbier portrait. Tamara Karsavina danced lead roles for the Ballets Russes, most notably with Nijinsky in the original performances of The Firebird. The pictures here are from La Tragedie de Salome, a ballet with music by Florent &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/06\/06\/tamara-karsavinas-salome\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Tamara Karsavina&#8217;s Salom\u00e9&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,56,48,12],"tags":[4851,695,696,123,4852,1781],"class_list":["post-13863","post","type-post","status-publish","format-standard","hentry","category-art","category-dance","category-illustrators","category-photography","tag-florent-schmitt","tag-george-barbier","tag-nijinsky","tag-salome","tag-sergei-sudeikin","tag-tamara-karsavina"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3BB","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13863","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=13863"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13863\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=13863"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=13863"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=13863"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}