{"id":13789,"date":"2013-05-18T01:58:22","date_gmt":"2013-05-18T00:58:22","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=13789"},"modified":"2013-05-18T01:58:22","modified_gmt":"2013-05-18T00:58:22","slug":"several-more-salomes","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/05\/18\/several-more-salomes\/","title":{"rendered":"Several more Salom\u00e9s"},"content":{"rendered":"<p><a href=\"http:\/\/es.wikipedia.org\/wiki\/Archivo:Modest_Alexandrovich_Durnov_-_Salome.jpg\" target=\"_blank\"><img decoding=\"async\" alt=\"durnov.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/05\/durnov.jpg\" \/><\/a><\/p>\n<p><em>Cover of Salome by Oscar Wilde (1903) by Modest Alexandrovich Durnov.<\/em><\/p>\n<p>Gathering a few more Salom\u00e9 renderings which have caught my attention recently. The biggest surprise is the one from Picabia since he&#8217;s an artist who these days is almost always associated with the Cubists and Dadaists. In the 1920s he returned to figurative painting and produced a number of pieces in this style. The overlaying of images reminds me of some of Hans Bellmer&#8217;s drawings.<\/p>\n<p>Michael Zulli is an American comic artist whose work I&#8217;ve always liked a great deal. No information about his drawing, unfortunately, so I can&#8217;t say whether it&#8217;s a one-off or part of a larger project.<\/p>\n<p><a href=\"http:\/\/www.falmouthartgallery.com\/Collection\/2005.6.3\" target=\"_blank\"><img decoding=\"async\" alt=\"wilmer.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/05\/wilmer.jpg\" \/><\/a><\/p>\n<p><em>Salom\u00e9 (1917) by John Riley Wilmer.<\/em><\/p>\n<p><a href=\"http:\/\/www.wikipaintings.org\/en\/francis-picabia\/salome\" target=\"_blank\"><img decoding=\"async\" alt=\"picabia.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/05\/picabia.jpg\" \/><\/a><\/p>\n<p><em>Salom\u00e9 (c. 1928) by Francis Picabia.<\/em><\/p>\n<p><a href=\"http:\/\/www.visionaryrevue.com\/webtext3\/k.gal3.html\" target=\"_blank\"><img decoding=\"async\" alt=\"kalmakov.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/05\/kalmakov.jpg\" \/><\/a><\/p>\n<p><em>Salom\u00e9 Sphinx (1928) by Nicholas Kalmakoff.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"zulli.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/05\/zulli.jpg\" \/><\/p>\n<p><em>Salom\u00e9 (no date) by Michael Zulli.<\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-salome-archive\/\">The Salom\u00e9 archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cover of Salome by Oscar Wilde (1903) by Modest Alexandrovich Durnov. Gathering a few more Salom\u00e9 renderings which have caught my attention recently. The biggest surprise is the one from Picabia since he&#8217;s an artist who these days is almost always associated with the Cubists and Dadaists. In the 1920s he returned to figurative painting &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/05\/18\/several-more-salomes\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Several more Salom\u00e9s&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,9,44],"tags":[4789,1337,4788,4787,4786,4790,116,123],"class_list":["post-13789","post","type-post","status-publish","format-standard","hentry","category-art","category-comics","category-painting","tag-francis-picabia","tag-hans-bellmer","tag-john-riley-wilmer","tag-michael-zulli","tag-modest-alexandrovich-durnov","tag-nicholas-kalmakoff","tag-oscar-wilde","tag-salome"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3Ap","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13789","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=13789"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13789\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=13789"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=13789"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=13789"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}