{"id":13726,"date":"2013-05-02T02:24:53","date_gmt":"2013-05-02T01:24:53","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=13726"},"modified":"2013-05-02T02:24:53","modified_gmt":"2013-05-02T01:24:53","slug":"joseph-southalls-bluebeard","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/05\/02\/joseph-southalls-bluebeard\/","title":{"rendered":"Joseph Southall&#8217;s Bluebeard"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"southall01.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/05\/southall01.jpg\" \/><\/p>\n<p>The Charles Perrault fairy tale given an Arts and Crafts interpretation by British artist Joseph Southall (1861\u20131944). This is a slim volume from 1895 with illustrations very much in the manner of Walter Crane&#8217;s work for William Morris. As with all such stories from the Victorian era, the grim nature of the tale is buried under a profusion of ornament and painstaking detail. Browse the rest of the book <a href=\"http:\/\/archive.org\/stream\/storyofbluebeard00perruoft#page\/n5\/mode\/2up\" target=\"_blank\">here<\/a> or download it <a href=\"https:\/\/ia700404.us.archive.org\/27\/items\/storyofbluebeard00perruoft\/\" target=\"_blank\">here<\/a>.<\/p>\n<p><img decoding=\"async\" alt=\"southall02.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/05\/southall02.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"southall03.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/05\/southall03.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"southall04.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/05\/southall04.jpg\" \/><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" alt=\"southall05.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/05\/southall05.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"southall06.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/05\/southall06.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"southall07.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/05\/southall07.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"southall08.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/05\/southall08.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"southall09.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/05\/southall09.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"southall10.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/05\/southall10.jpg\" \/><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-illustrators-archive\/\">The illustrators archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/02\/14\/leslie-megaheys-bluebeard\/\">Leslie Megahey\u2019s Bluebeard<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/12\/15\/powells-bluebeard\/\">Powell\u2019s Bluebeard<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Charles Perrault fairy tale given an Arts and Crafts interpretation by British artist Joseph Southall (1861\u20131944). This is a slim volume from 1895 with illustrations very much in the manner of Walter Crane&#8217;s work for William Morris. As with all such stories from the Victorian era, the grim nature of the tale is buried &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/05\/02\/joseph-southalls-bluebeard\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Joseph Southall&#8217;s Bluebeard&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,48],"tags":[3366,4728,549,1188],"class_list":["post-13726","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-illustrators","tag-charles-perrault","tag-joseph-southall","tag-walter-crane","tag-william-morris"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3zo","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13726","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=13726"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13726\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=13726"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=13726"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=13726"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}