{"id":13696,"date":"2013-04-24T01:53:20","date_gmt":"2013-04-24T00:53:20","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=13696"},"modified":"2013-04-24T05:44:14","modified_gmt":"2013-04-24T04:44:14","slug":"le-tarot-de-philippe-lemaire","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/04\/24\/le-tarot-de-philippe-lemaire\/","title":{"rendered":"Le Tarot de Philippe Lemaire"},"content":{"rendered":"

\"lemaire1.jpg\"<\/a><\/p>\n

Philippe Lemaire is French, and another engraving collage artist who I’d have to include in the list of post-Ernst practitioners if I ever get round to updating my Strange Attractor<\/em><\/a> essay about Wilfried S\u00e4tty<\/a>. Like Ernst and S\u00e4tty, Lemaire seems to use paper-and-scissors techniques, although S\u00e4tty also made use of print processes in order to duplicate the images he cut from old books, and also resize, flip or invert them. In this he’s the bridge between the original method of engraving collage and digital techniques.<\/p>\n

\"lemaire2.jpg\"<\/a><\/p>\n

The examples here are from a small series of Tarot images on the artist’s website<\/a>, none of which are labelled so we’re left to guess the identity of what I presume are figures from the Major Arcana. The one above may be The Empress but the other two resist easy interpretation. Judge the others for yourself here<\/a>.<\/p>\n

\"lemaire3.jpg\"<\/a><\/p>\n

Previously on { feuilleton }
\n\u2022 Tarotism and Fergus Hall<\/a>
\n\u2022 Giger\u2019s Tarot<\/a>
\n\u2022 The Occult Explosion<\/a>
\n\u2022 Wilfried S\u00e4tty album covers<\/a>
\n\u2022 Nature Boy: Jesper Ryom and Wilfried S\u00e4tty<\/a>
\n\u2022 Wilfried S\u00e4tty: Artist of the occult<\/a>
\n\u2022 Illustrating Poe #4: Wilfried S\u00e4tty<\/a>
\n\u2022 The Major Arcana by Jak Flash<\/a>
\n\u2022 The art of Pamela Colman Smith, 1878\u20131951<\/a>
\n\u2022 The Major Arcana<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Philippe Lemaire is French, and another engraving collage artist who I’d have to include in the list of post-Ernst practitioners if I ever get round to updating my Strange Attractor essay about Wilfried S\u00e4tty. Like Ernst and S\u00e4tty, Lemaire seems to use paper-and-scissors techniques, although S\u00e4tty also made use of print processes in order to … Continue reading “Le Tarot de Philippe Lemaire”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,1029,16],"tags":[3836,112,4721,98,552,102],"class_list":["post-13696","post","type-post","status-publish","format-standard","hentry","category-art","category-collage","category-occult","tag-jesper-ryom","tag-max-ernst","tag-philippe-lemaire","tag-strange-attractor","tag-tarot","tag-wilfried-satty"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3yU","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13696","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=13696"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13696\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=13696"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=13696"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=13696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}