{"id":13609,"date":"2013-04-03T01:29:31","date_gmt":"2013-04-03T00:29:31","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=13609"},"modified":"2013-04-03T01:29:31","modified_gmt":"2013-04-03T00:29:31","slug":"the-art-of-david-lemm","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/04\/03\/the-art-of-david-lemm\/","title":{"rendered":"The art of David Lemm"},"content":{"rendered":"<p><a href=\"http:\/\/www.davidlemm.co.uk\/Rites\" target=\"_blank\"><img decoding=\"async\" alt=\"lemm1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/04\/lemm1.jpg\" \/><\/a><\/p>\n<p><em>Rites (2012).<\/em><\/p>\n<p>I&#8217;ve no idea what&#8217;s being represented in David Lemm&#8217;s esoteric plans and diagrams, and I&#8217;m quite happy for their mysteries to remain intact. Lemm is a Scottish artist whose other screenprints can be seen at <a href=\"http:\/\/www.davidlemm.co.uk\/\" target=\"_blank\">his website<\/a>.<\/p>\n<p><a href=\"http:\/\/www.davidlemm.co.uk\/New-Land\" target=\"_blank\"><img decoding=\"async\" alt=\"lemm2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/04\/lemm2.jpg\" \/><\/a><\/p>\n<p><em>New Land (2012).<\/em><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/03\/28\/sigils-signs\/\">Sigils &amp; Signs<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rites (2012). I&#8217;ve no idea what&#8217;s being represented in David Lemm&#8217;s esoteric plans and diagrams, and I&#8217;m quite happy for their mysteries to remain intact. Lemm is a Scottish artist whose other screenprints can be seen at his website. New Land (2012). Previously on { feuilleton } \u2022 Sigils &amp; Signs<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,16],"tags":[4669],"class_list":["post-13609","post","type-post","status-publish","format-standard","hentry","category-art","category-occult","tag-david-lemm"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3xv","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13609","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=13609"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13609\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=13609"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=13609"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=13609"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}