{"id":13598,"date":"2013-03-31T02:26:22","date_gmt":"2013-03-31T02:26:22","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=13598"},"modified":"2013-03-31T02:26:22","modified_gmt":"2013-03-31T02:26:22","slug":"weekend-links-153","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/03\/31\/weekend-links-153\/","title":{"rendered":"Weekend links 153"},"content":{"rendered":"

\"scarfolk.jpg\"<\/a><\/p>\n

Scarfolk<\/a>, as was noted here last month, is a home from home, especially if you grew up in the 1970s. The mayor of the rabies-afflicted town, Richard Littler, talked to Creative Review<\/a><\/em> about his unheimlich<\/em> design project.<\/p>\n

\u2022 Ensemble Pearl<\/em><\/a>, an album stream of “cosmic psychedelic space-doom minimal drone soundscapes” by Atsuo, William Herzog, Eyvind Kang, Michio Kurihara, Stephen O’Malley and Timba Harris.<\/p>\n

\u2022 At Dangerous Minds: Louise Huebner’s Seduction Through Witchcraft<\/em><\/a> (1969), an album of occult instruction with an electronic soundtrack by Louis & Bebe Barron.<\/p>\n

My apartment is teeming with unfinished books. They cover my desk, coffee table, and nightstand. They sit two rows deep on my bookshelves. There they remain, neglected, misunderstood, unappreciated, still with the last read page firmly marked with a piece of paper, a subscription card, or a proper bookmark: a reminder of my stagnation, my failure to engage.<\/p>\n

Gabrielle at The Contextual Life on The Secret Lives of Unfinished Books<\/a>.<\/em><\/p><\/blockquote>\n

\u2022 Hauntological mix of the week: Electronic Music For Schools<\/a><\/em> by Pattern & Shape. Related: Pye Corner Audio<\/a> live at Cafe OTO, March 2013.<\/p>\n

\u2022 Tumblrs of the week: Des Hommes et des Chatons<\/a>, Remarkably Retro<\/a>, The Pop-Up Museum of Queer History<\/a>, and Shit My Cats Read<\/a>.<\/p>\n

\u2022 Icons<\/em><\/a>: An exhibition of Kenneth Anger’s Hollywood memorabilia, and other material from his home, at Spr\u00fcth Magers, London.<\/p>\n

\"hooray.jpg\"<\/a><\/p>\n

Hooray for Gay<\/a>, an exhibition of pre-Stonewall images at Boo-Hooray, NYC.<\/em><\/p>\n

\u2022 The Servant<\/em><\/a>, “a 60s masterwork that hides its homosexuality in the shadows”.<\/p>\n

\u2022 The Cosmic Bicycle<\/em><\/a>, collages by Wilfried S\u00e4tty made into a short film.<\/p>\n

\u2022 Photos of the derelict R Power Plant<\/a> in Pennsylvania.<\/p>\n

\u2022 1913: The Year of Modernism<\/a><\/p>\n

\u2022 RIP Richard Griffiths<\/a><\/p>\n

\u2022 Wildspot<\/em><\/a> (2005) by Belbury Poly | Now Ends The Beginning<\/em><\/a> (2011) by The Advisory Circle | Wildspot<\/em><\/a> (2012) by The Advisory Circle | Now Ends The Beginning<\/em><\/a> (2012) by Belbury Poly<\/p>\n","protected":false},"excerpt":{"rendered":"

Scarfolk, as was noted here last month, is a home from home, especially if you grew up in the 1970s. The mayor of the rabies-afflicted town, Richard Littler, talked to Creative Review about his unheimlich design project. \u2022 Ensemble Pearl, an album stream of “cosmic psychedelic space-doom minimal drone soundscapes” by Atsuo, William Herzog, Eyvind … Continue reading “Weekend links 153”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,1029,4,29,7,5,3,16,12],"tags":[3407,3319,2680,4664,401,3406,4662,4222,4663,4661,4555,1034,1253,102],"class_list":["post-13598","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-collage","category-design","category-electronica","category-film","category-gay","category-music","category-occult","category-photography","tag-bebe-barron","tag-belbury-poly","tag-creative-review","tag-hauntology","tag-kenneth-anger","tag-louis-barron","tag-louise-huebner","tag-pye-corner-audio","tag-richard-griffiths","tag-richard-littler","tag-scarfolk","tag-stephen-omalley","tag-the-advisory-circle","tag-wilfried-satty"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3xk","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13598","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=13598"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13598\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=13598"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=13598"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=13598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}