{"id":13587,"date":"2013-03-28T03:08:02","date_gmt":"2013-03-28T03:08:02","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=13587"},"modified":"2013-03-28T03:08:02","modified_gmt":"2013-03-28T03:08:02","slug":"the-art-of-naomichi-okutsu","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/03\/28\/the-art-of-naomichi-okutsu\/","title":{"rendered":"The art of Naomichi Okutsu"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"okutsu1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/03\/okutsu1.jpg\" \/><\/p>\n<p><em>Hatsuyume \u2013 one&#8217;s first dream of the New Year \u2013 (2005).<\/em><\/p>\n<p>Naomichi Okutsu&#8217;s variation on the amorous octopus theme is understandably popular in the Tumblr world, but it often appears uncredited while his other work is far less visible. That seems unfortunate when there&#8217;s a lot more to his beautiful paintings than tentacle sex. His work applies homoerotic twists to Japanese iconography, with many of the paintings using gold leaf for the backing. <a href=\"http:\/\/www.japanesegayart.com\/?page_id=1236\" target=\"_blank\">Japanese Gay Art<\/a> has many more examples, all of which are currently for sale.<\/p>\n<p><img decoding=\"async\" alt=\"okutsu2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/03\/okutsu2.jpg\" \/><\/p>\n<p><em>Title unknown.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"okutsu3.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/03\/okutsu3.jpg\" \/><\/p>\n<p><em>Bozu ni hanakanzashi.<\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-gay-artists-archive\/\">The gay artists archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hatsuyume \u2013 one&#8217;s first dream of the New Year \u2013 (2005). Naomichi Okutsu&#8217;s variation on the amorous octopus theme is understandably popular in the Tumblr world, but it often appears uncredited while his other work is far less visible. That seems unfortunate when there&#8217;s a lot more to his beautiful paintings than tentacle sex. His &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/03\/28\/the-art-of-naomichi-okutsu\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The art of Naomichi Okutsu&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,5,44],"tags":[4658],"class_list":["post-13587","post","type-post","status-publish","format-standard","hentry","category-art","category-gay","category-painting","tag-naomichi-okutsu"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3x9","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13587","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=13587"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13587\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=13587"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=13587"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=13587"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}