{"id":13583,"date":"2013-03-27T01:55:51","date_gmt":"2013-03-27T01:55:51","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=13583"},"modified":"2013-03-27T01:55:51","modified_gmt":"2013-03-27T01:55:51","slug":"eustace-details","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/03\/27\/eustace-details\/","title":{"rendered":"Eustace details"},"content":{"rendered":"<p><a href=\"http:\/\/www.googleartproject.com\/collection\/national-gallery-of-victoria\/artwork\/st-eustace-albrecht-durer\/428730\/\" target=\"_blank\"><img decoding=\"async\" alt=\"durer01.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/03\/durer01.jpg\" \/><\/a><\/p>\n<p><em>St Eustace (c. 1501) by Albrecht D\u00fcrer.<\/em><\/p>\n<p>As is often the case with his engraving on religious themes, D\u00fcrer is less concerned with the Biblical story\u2014in this case <a href=\"http:\/\/www.googleartproject.com\/collection\/national-gallery-of-victoria\/artwork\/st-eustace-albrecht-durer\/428730\/\" target=\"_blank\">St Eustace&#8217;s vision<\/a> of Christ appearing between the horns of a stag\u2014than with the opportunity to render with great fidelity a wealth of natural detail. Everything here is observed with the utmost precision, down to the binding of the spurs on Eustace&#8217;s boots. A superb composition which leads the eye past the mystical deer, through the trees and up the hill.<\/p>\n<p><img decoding=\"async\" alt=\"durer09.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/03\/durer09.jpg\" \/><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" alt=\"durer02.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/03\/durer02.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"durer03.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/03\/durer03.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"durer04.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/03\/durer04.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"durer05.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/03\/durer05.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"durer06.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/03\/durer06.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"durer07.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/03\/durer07.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"durer08.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/03\/durer08.jpg\" \/><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-etching-and-engraving-archive\/\">The etching and engraving archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/06\/01\/melencolia-details\/\">Melencolia details<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/03\/26\/albrecht-durers-triumphal-arch\/\">Albrecht D\u00fcrer\u2019s Triumphal Arch<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>St Eustace (c. 1501) by Albrecht D\u00fcrer. As is often the case with his engraving on religious themes, D\u00fcrer is less concerned with the Biblical story\u2014in this case St Eustace&#8217;s vision of Christ appearing between the horns of a stag\u2014than with the opportunity to render with great fidelity a wealth of natural detail. Everything here &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/03\/27\/eustace-details\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Eustace details&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,31],"tags":[68],"class_list":["post-13583","post","type-post","status-publish","format-standard","hentry","category-art","category-religion","tag-albrecht-durer"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3x5","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13583","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=13583"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13583\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=13583"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=13583"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=13583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}