{"id":13577,"date":"2013-03-25T02:42:32","date_gmt":"2013-03-25T02:42:32","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=13577"},"modified":"2013-03-25T02:42:32","modified_gmt":"2013-03-25T02:42:32","slug":"the-art-of-mark-reep","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/03\/25\/the-art-of-mark-reep\/","title":{"rendered":"The art of Mark Reep"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"reep1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/03\/reep1.jpg\" \/><\/p>\n<p><em>Crossing.<\/em><\/p>\n<p>Artist <a href=\"http:\/\/markreep.net\/recentdrawings.html\" target=\"_blank\">Mark Reep<\/a> sent me a link recently to his gallery of meticulous pencil and charcoal drawings which he calls &#8220;dreams in black and white&#8221;. The combination in many of these of isolated settings with minor architectural features is something I always enjoy seeing but don&#8217;t find often enough. Offhand I can think of <a href=\"http:\/\/www.trignac-gerard.com\/\" target=\"_blank\">G\u00e9rard Trignac<\/a>&#8216;s equally meticulous etchings, and <a href=\"http:\/\/ugarte.pagesperso-orange.fr\/oeuvres_01f.htm\" target=\"_blank\">Jean-Pierre Ugarte<\/a>&#8216;s paintings. Mark Reep has cards and prints of his drawings and photographs available for purchase at <a href=\"http:\/\/www.bluecanvas.com\/markreep\" target=\"_blank\">Bluecanvas<\/a> and <a href=\"http:\/\/www.redbubble.com\/people\/markreep\" target=\"_blank\">Redbubble<\/a>.<\/p>\n<p><img decoding=\"async\" alt=\"reep2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/03\/reep2.jpg\" \/><\/p>\n<p><em>Abandoned Waterworks.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"reep3.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/03\/reep3.jpg\" \/><\/p>\n<p><em>Not All The Old Doors.<\/em><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/08\/09\/the-art-of-gerard-trignac\/\">The art of G\u00e9rard Trignac<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Crossing. Artist Mark Reep sent me a link recently to his gallery of meticulous pencil and charcoal drawings which he calls &#8220;dreams in black and white&#8221;. The combination in many of these of isolated settings with minor architectural features is something I always enjoy seeing but don&#8217;t find often enough. Offhand I can think of &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/03\/25\/the-art-of-mark-reep\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The art of Mark Reep&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,30],"tags":[4655,422,4656],"class_list":["post-13577","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-black-white","tag-gerard-trignac","tag-jean-pierre-ugarte","tag-mark-reep"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3wZ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13577","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=13577"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13577\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=13577"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=13577"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=13577"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}