{"id":13492,"date":"2013-03-05T02:22:55","date_gmt":"2013-03-05T02:22:55","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=13492"},"modified":"2013-03-05T02:22:55","modified_gmt":"2013-03-05T02:22:55","slug":"whirlpools","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/03\/05\/whirlpools\/","title":{"rendered":"Whirlpools"},"content":{"rendered":"<p><a href=\"http:\/\/www.flickr.com\/photos\/eggeling\/3491899989\/in\/set-72157617568940376\" target=\"_blank\"><img decoding=\"async\" alt=\"whirlpool.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/03\/whirlpool.jpg\" \/><\/a><\/p>\n<p>This was a surprise. My first thought on seeing the cover for Ethel Archer&#8217;s &#8220;book of verse&#8221;, <em>The Whirlpool<\/em>, was that its swirling waters were borrowed from Harry Clarke&#8217;s typically astonishing illustration for <em>A Descent into the Maelstr\u00f6m<\/em> by Edgar Allan Poe. The problem there is that the Ethel Archer book was published in 1911 while Clarke&#8217;s first collection of Poe illustrations didn&#8217;t appear until 1919. The cover for the Archer book was by Ethel&#8217;s husband, Eugene Wieland, the publisher of Aleister Crowley&#8217;s <em>Equinox<\/em> periodical\/occult treatise, and also the publisher of this volume. Crowley provided an introduction to the book. Given these occult associations it&#8217;s possible that Harry Clarke might have seen a copy of this. Clarke&#8217;s work appeared in Austin Spare&#8217;s own occult periodical, <em>The Golden Hind<\/em>, and he wasn&#8217;t averse to producing <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/10\/goddem-big.jpg\" target=\"_blank\">occult art of his own<\/a>. This isn&#8217;t to say that Clarke necessarily took anything from the Archer book\u2014sometimes a whirlpool is just a whirlpool\u2014but it&#8217;s not outside the bounds of possibility.<\/p>\n<p>There&#8217;s a copy of Ethel Archer&#8217;s book currently on sale at <a href=\"http:\/\/www.ebay.co.uk\/itm\/WHIRLPOOL-Ethel-Archer-Aleister-Crowley-\/261173884048?_trksid=p2047675.m1850&amp;_trkparms=aid%3D222002%26algo%3DSIC.FIT%26ao%3D1%26asc%3D14589%26meid%3D6017605704889306162%26pid%3D100011%26prg%3D1005%26rk%3D2%26sd%3D261159664123%26\" target=\"_blank\">eBay<\/a>, together with some original drawings by Eugene Wieland. The cover above came via John Eggeling&#8217;s <a href=\"http:\/\/www.flickr.com\/photos\/eggeling\/sets\/72157617568940376\/with\/3491899989\/\" target=\"_blank\">Flickr page of rare book covers<\/a>. The Poe illustration is via <a href=\"http:\/\/50watts.com\/filter\/harry-clarke\/Harry-Clarke-Illustrations-for-E-A-Poe\" target=\"_blank\">50 Watts<\/a>.<\/p>\n<p><img decoding=\"async\" alt=\"maelstrom.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/03\/maelstrom.jpg\" \/><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/05\/29\/the-sapphire-museum-of-magic-and-occultism\/\">The Sapphire Museum of Magic and Occultism<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This was a surprise. My first thought on seeing the cover for Ethel Archer&#8217;s &#8220;book of verse&#8221;, The Whirlpool, was that its swirling waters were borrowed from Harry Clarke&#8217;s typically astonishing illustration for A Descent into the Maelstr\u00f6m by Edgar Allan Poe. The problem there is that the Ethel Archer book was published in 1911 &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/03\/05\/whirlpools\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Whirlpools&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,48,16],"tags":[2329,391,316,93,4602,4603,99],"class_list":["post-13492","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-illustrators","category-occult","tag-50-watts","tag-aleister-crowley","tag-austin-spare","tag-edgar-allan-poe","tag-ethel-archer","tag-eugene-wieland","tag-harry-clarke"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3vC","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13492","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=13492"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13492\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=13492"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=13492"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=13492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}