{"id":13483,"date":"2013-03-03T02:00:54","date_gmt":"2013-03-03T02:00:54","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=13483"},"modified":"2013-03-03T02:00:54","modified_gmt":"2013-03-03T02:00:54","slug":"weekend-links-149","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/03\/03\/weekend-links-149\/","title":{"rendered":"Weekend links 149"},"content":{"rendered":"

\"bowie.jpg\"<\/a><\/p>\n

It’s not cheap but it’s rather tasty: The Changing Faces of Bowie<\/em><\/a>, a limited print at the V&A shop produced for the forthcoming David Bowie exhibition<\/a>. One hundred artists and designers were asked to choose or create a Bowie-related type design, the collection being printed on holographic paper. Creative Review<\/a> looked at some details. Related: Bowie’s new album, The Next Day<\/em>, is now streaming in full at iTunes<\/a>.<\/p>\n

\u2022 Marisa Siegel reviews The Moon & Other Inventions: Poems After Joseph Cornell<\/a><\/em> by Kristina Marie Darling, “a fully enchanting if somewhat mysterious collection of poems, written entirely as footnotes”. BlazeVOX has an extract here<\/a>.<\/p>\n

\u2022 “[Clement] Greenberg came round to our house in Camden Square. He started telling Bill what he should do to improve a work. Dad lost patience and kicked him out.” Alex Turbull<\/a> of 23 Skidoo on sculptor father William Turnbull.<\/p>\n

“You get the impression that a lot of these young directors have never gained much experience of life outside their film schools or their video-rental stores.”<\/p>\n

Anne Billson<\/a> met Roman Polanski in 1995 to discuss Death and the Maiden.<\/em><\/p><\/blockquote>\n

\u2022 Max Beerbohm’s The Happy Hypocrite<\/a><\/em>, and Ronald Firbank’s Vainglory<\/a><\/em> are available in new print-on-demand and ebook editions from Michael Walmer.<\/p>\n

\u2022 “Bring Back the Illustrated Book!” says Sam Sacks<\/a>. Some of us would reply that it never went away but merely remains subject to much unexamined prejudice.<\/p>\n

\u2022 The Forest and The Trees<\/a>: A blog by Genevieve Kaplan about altered texts and book art by herself and other artists.<\/p>\n

\u2022 The Homosexual Atom Bomb<\/a>: Sophie Pinkham on gay rights, Soviet Russia and the Cold War.<\/p>\n

\u2022 Who’s Afraid Of The Art Of Zang Tumb Tuum?<\/a> A blog devoted to the ZTT record label.<\/p>\n

\u2022 Nigel Kneale’s TV ghost drama, The Stone Tape<\/em><\/a>, is reissued on DVD later this month.<\/p>\n

\u2022 The drawings of Victor Hugo<\/a>.<\/p>\n

\u2022 David Bowie at Pinterest<\/a>.<\/p>\n

\u2022 \u00a0The Man Who Sold The World<\/a><\/em> (1994) by Nirvana | V-2 Schneider<\/a><\/em> (1996) by Philip Glass | ‘Heroes’<\/a><\/em> (2000) by King Crimson<\/p>\n","protected":false},"excerpt":{"rendered":"

It’s not cheap but it’s rather tasty: The Changing Faces of Bowie, a limited print at the V&A shop produced for the forthcoming David Bowie exhibition. One hundred artists and designers were asked to choose or create a Bowie-related type design, the collection being printed on holographic paper. Creative Review looked at some details. Related: … Continue reading “Weekend links 149”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,42,4,7,5,22,3,41,19],"tags":[5255,4596,4179,2680,1301,4598,932,343,4595,4594,1088,263,1246,4600,3131,2249,2049,4062,4599,2054,4597,1553],"class_list":["post-13483","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-film","category-gay","category-horror","category-music","category-sculpture","category-television","tag-23-skidoo","tag-alex-turbull","tag-anne-billson","tag-creative-review","tag-david-bowie","tag-genevieve-kaplan","tag-joseph-cornell","tag-king-crimson","tag-kristina-marie-darling","tag-marisa-siegel","tag-max-beerbohm","tag-nigel-kneale","tag-nirvana","tag-nirvana-group","tag-philip-glass","tag-roman-polanski","tag-ronald-firbank","tag-sam-sacks","tag-sophie-pinkham","tag-victor-hugo","tag-william-turnbull","tag-ztt"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3vt","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13483","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=13483"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13483\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=13483"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=13483"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=13483"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}