{"id":13436,"date":"2013-02-24T00:57:49","date_gmt":"2013-02-24T00:57:49","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=13436"},"modified":"2013-02-24T02:32:28","modified_gmt":"2013-02-24T02:32:28","slug":"weekend-links-148","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/02\/24\/weekend-links-148\/","title":{"rendered":"Weekend links 148"},"content":{"rendered":"

\"lanna.jpg\"<\/a><\/p>\n

Quantum Entanglement<\/a> by Duda Lanna.<\/em><\/p>\n

\u2022 An hour-long electronica mix<\/a> (with the D\u00fc\u00fcl rocking out at the end) by Chris Carter for Ninja Tune’s Solid Steel Radio Show.<\/p>\n

\u2022 “…a clothes-optional Rosicrucian jamboree.”: Strange Flowers<\/a> on the paintings of Elis\u00e0r von Kupffer.<\/p>\n

\u2022 A Paste review of volume 2 of The Graphic Canon<\/em><\/a> has some favourable words for my contribution<\/a>.<\/p>\n

It is an entertaining thought to remember that Orlando<\/em>, all sex-change, cross-dressing and transgressive desire, appeared in the same year as Radclyffe Hall\u2019s sapphic romance The Well of Loneliness<\/em>. The two novels are different solar systems. The Well<\/em> is gloomy, beaten, defensive, where women who love women have only suffering and misunderstanding in their lonely lives. The theme is as depressing as the writing, which is terrible. Orlando<\/em> is a joyful and passionate declaration of love as life, regardless of gender. The Well<\/em> was banned and declared obscene. Orlando<\/em> became a bestseller.<\/p>\n

Jeanette Winterson<\/a> on Virginia Woolf’s androgynous fantasia.<\/em><\/p><\/blockquote>\n

\u2022 Jim Jupp<\/a> discovers the mystical novels of Charles Williams<\/a>.<\/p>\n

\u2022 Michael Andre-Driussi<\/a> on The Politics of Roadside Picnic<\/em>.<\/p>\n

\u2022 Les Softs Machines<\/a>: 25 August 1968, Ce Soir On Danse<\/em>.<\/p>\n

\u2022 At 50 Watts: Illustrations and comics by Pierre Ferrero<\/a>.<\/p>\n

\u2022 Soviet posters<\/a>: 1469 examples at Flickr.<\/p>\n

\u2022 Oliver Sacks on drugs<\/a> (again).<\/p>\n

\u2022 At Pinterest: Altered States<\/a>.<\/p>\n

\u2022 Farewell, Kevin Ayers<\/a>.<\/p>\n

\u2022 Darkest London<\/a><\/p>\n

\u2022 Why Are We Sleeping?<\/a><\/em> (1969) by The Soft Machine | Lady Rachel<\/a><\/em> (1969) by Kevin Ayers | Decadence<\/a><\/em> (1973) by Kevin Ayers<\/p>\n","protected":false},"excerpt":{"rendered":"

Quantum Entanglement by Duda Lanna. \u2022 An hour-long electronica mix (with the D\u00fc\u00fcl rocking out at the end) by Chris Carter for Ninja Tune’s Solid Steel Radio Show. \u2022 “…a clothes-optional Rosicrucian jamboree.”: Strange Flowers on the paintings of Elis\u00e0r von Kupffer. \u2022 A Paste review of volume 2 of The Graphic Canon has some … Continue reading “Weekend links 148”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,9,4,851,29,21,5,3,44,20,23],"tags":[2329,2169,643,2413,1804,4572,1286,408,1016,4578,4575,4573,3998,4577,4574,4576,3633,1333,2419,3703,2501,1750],"class_list":["post-13436","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-comics","category-design","category-drugs","category-electronica","category-fantasy","category-gay","category-music","category-painting","category-science-fiction","category-work","tag-50-watts","tag-amon-duul-ii","tag-androgyny","tag-charles-williams","tag-chris-carter","tag-duda-lanna","tag-elisar-von-kupffer","tag-jeanette-winterson","tag-jim-jupp","tag-kevin-ayers","tag-michael-andre-driussi","tag-ninja-tune","tag-oliver-sacks","tag-pierre-ferrero","tag-radclyffe-hall","tag-roadside-picnic","tag-soft-machine","tag-stalker","tag-strange-flowers","tag-the-graphic-canon","tag-the-soft-machine","tag-virginia-woolf"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3uI","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13436","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=13436"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13436\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=13436"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=13436"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=13436"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}