{"id":13387,"date":"2013-02-11T01:45:46","date_gmt":"2013-02-11T01:45:46","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=13387"},"modified":"2013-02-11T01:58:04","modified_gmt":"2013-02-11T01:58:04","slug":"the-recurrent-pose-50","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/02\/11\/the-recurrent-pose-50\/","title":{"rendered":"The recurrent pose 50"},"content":{"rendered":"<p><a href=\"http:\/\/raipun.deviantart.com\/art\/Bellator-336508761\" target=\"_blank\"><img decoding=\"async\" alt=\"vleugels.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/02\/vleugels.jpg\" \/><\/a><\/p>\n<p><em>Belator (2013) by <a href=\"http:\/\/raipun.deviantart.com\/\" target=\"_blank\">Christiane Vleugels<\/a>.<\/em><\/p>\n<p>With this series about <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/02\/16\/evolution-of-an-icon\/\">the Flandrin pose<\/a> being the oldest on the blog\u2014the initial post was Feb 16, 2006\u2014the whole thing has gradually evolved from a diverting observation to the unearthing of a trend that runs deeper and further than I expected.<\/p>\n<p>Christiane Vleugels is a Belgian artist with a hyperrealist style.\u00a0Siegfried Zademack has a painting style closer to Salvador Dal\u00ed, here putting Flandrin&#8217;s Classical figure onto the pillar of\u00a0<a href=\"http:\/\/en.wikipedia.org\/wiki\/Simeon_Stylites\" target=\"_blank\">Saint Simeon Stylites<\/a>. One of Philip Gladstone&#8217;s paintings was the subject of <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/03\/10\/the-recurrent-pose-32\/\">an earlier post<\/a>, and some of his other drawings might be considered Flandrinesque. They show that you don&#8217;t have to render every last hair and shadow in order to make an impression.<\/p>\n<p><img decoding=\"async\" alt=\"zademack.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/02\/zademack.jpg\" \/><\/p>\n<p><em>Saint Simon on the Pillar (after Flandrin) (1988) by <a href=\"http:\/\/www.zademack.com\/\" target=\"_blank\">Siegfried Zademack<\/a>.<\/em><\/p>\n<p><a href=\"http:\/\/www.philipgladstone.com\/nudedrawings2.html\" target=\"_blank\"><img decoding=\"async\" alt=\"gladstone.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/02\/gladstone.jpg\" \/><\/a><\/p>\n<p><em>Untitled (seated male nude in the Flandrin pose) (2011) by <a href=\"http:\/\/www.philipgladstone.com\/\" target=\"_blank\">Philip Gladstone<\/a>.<\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-recurrent-pose-archive\/\">The recurrent pose archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Belator (2013) by Christiane Vleugels. With this series about the Flandrin pose being the oldest on the blog\u2014the initial post was Feb 16, 2006\u2014the whole thing has gradually evolved from a diverting observation to the unearthing of a trend that runs deeper and further than I expected. Christiane Vleugels is a Belgian artist with a &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/02\/11\/the-recurrent-pose-50\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The recurrent pose 50&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,5,44],"tags":[4550,1066,4551],"class_list":["post-13387","post","type-post","status-publish","format-standard","hentry","category-art","category-gay","category-painting","tag-christiane-vleugels","tag-philip-gladstone","tag-siegfried-zademack"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3tV","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13387","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=13387"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13387\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=13387"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=13387"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=13387"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}