{"id":13295,"date":"2013-02-04T02:22:33","date_gmt":"2013-02-04T02:22:33","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=13295"},"modified":"2013-02-04T04:41:49","modified_gmt":"2013-02-04T04:41:49","slug":"covering-joyce","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/02\/04\/covering-joyce\/","title":{"rendered":"Covering Joyce"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"joyce1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/02\/joyce1.jpg\" \/><\/p>\n<p><em>First editions of Ulysses (1922) and Finnegans Wake (1939).<\/em><\/p>\n<p>I like Peter Mendelsund&#8217;s book cover designs so it&#8217;s good to find the designer given the opportunity to provide new covers for James Joyce. <a href=\"http:\/\/jacketmechanical.blogspot.co.uk\/2013\/02\/james-joyce-for-vintage-books.html\" target=\"_blank\">Mendelsund&#8217;s blog post<\/a> announcing the news mentions nothing about his intentions, instead we have a reminiscence about Ireland <em>\u00e0 la<\/em> Molly Bloom, and pictures of the three covers below.<\/p>\n<p><img decoding=\"async\" alt=\"joyce2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/02\/joyce2.jpg\" \/><\/p>\n<p>I&#8217;ve never felt a pictorial treatment works with Joyce; his books, especially the Big Two, concentrate so much on words and the labyrinths made by language that anything other than a purely typographic treatment seems superfluous. Art directors going the pictorial route generally end up using familiar photos of the author or views of Dublin circa 1900. The first editions of <em>Ulysses<\/em> and <em>Finnegans Wake<\/em> set the pattern for many later editions, and I&#8217;ll guess it&#8217;s that pattern which Peter Mendelsund has followed here. The typeface used is <a href=\"http:\/\/www.identifont.com\/show?TV\" target=\"_blank\">Poetica<\/a>, a Robert Slimbach design from 1992, completed by what may be Joyce&#8217;s own hand (I&#8217;m guessing again) in the manner of the author&#8217;s corrected typescripts. The amendments for <em>Dubliners<\/em> and <em>Portrait of the Artist<\/em> don&#8217;t require explanation but what about the title of <em>Ulysses<\/em>? I&#8217;d read this (so to speak) as representing the novel&#8217;s two main characters\u2014Stephen Dedalus: the cold and precise man of letters, and Leopold Bloom: the all-too-human Everyman\u2014who in their circumambulation and eventual meeting comprise the twin poles of the story. There&#8217;s also a subtle and clever allusion to Molly Bloom but I&#8217;ll let you find that&#8230;<\/p>\n<p>The three new books will be published by Vintage but I&#8217;ve not managed to find a publication date.<\/p>\n<p><img decoding=\"async\" alt=\"joyce3.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/02\/joyce3.jpg\" \/><\/p>\n<p>In other Joyce news, the first Chinese translation of <em>Finnegans Wake<\/em> has proved to be <a href=\"http:\/\/www.latimes.com\/features\/books\/jacketcopy\/la-et-jc-china-surprise-bestseller-finnegans-wake-james-joyce-20130131,0,1265222.story\" target=\"_blank\">a surprising bestseller<\/a>. And I ought to mention that <a href=\"http:\/\/www.johncoulthart.com\/retinacula\/reverbstorm.html\" target=\"_blank\"><em>Lord Horror: Reverbstorm<\/em><\/a>, my own Joycean excursion (among other things) with David Britton, is now available at <a href=\"http:\/\/www.amazon.co.uk\/gp\/product\/0861301242\/ref=as_li_tf_tl?ie=UTF8&amp;camp=1634&amp;creative=6738&amp;creativeASIN=0861301242&amp;linkCode=as2&amp;tag=ateliercoulth-21\" target=\"_blank\">Amazon<\/a>. You can, of course, still buy the book <a href=\"http:\/\/www.savoy.abel.co.uk\/HTML\/reverbstorm.html\" target=\"_blank\">direct from the publishers<\/a>.<\/p>\n<p><img decoding=\"async\" alt=\"joyce4.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/02\/joyce4.jpg\" \/><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-book-covers-archive\/\">The book covers archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/06\/16\/james-joyce-in-reverbstorm\/\">James Joyce in Reverbstorm<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/06\/16\/joyce-in-time\/\">Joyce in Time<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/06\/16\/happy-bloomsday-3\/\">Happy Bloomsday<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/07\/18\/passages-from-james-joyces-finnegans-wake\/\">Passages from James Joyce\u2019s Finnegans Wake<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/06\/16\/books-for-bloomsday\/\">Books for Bloomsday<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>First editions of Ulysses (1922) and Finnegans Wake (1939). I like Peter Mendelsund&#8217;s book cover designs so it&#8217;s good to find the designer given the opportunity to provide new covers for James Joyce. Mendelsund&#8217;s blog post announcing the news mentions nothing about his intentions, instead we have a reminiscence about Ireland \u00e0 la Molly Bloom, &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/02\/04\/covering-joyce\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Covering Joyce&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[42,4,10],"tags":[394,2659,135,4523,2202,728,4531,428],"class_list":["post-13295","post","type-post","status-publish","format-standard","hentry","category-books","category-design","category-typography","tag-david-britton","tag-finnegans-wake","tag-james-joyce","tag-labyrinths","tag-peter-mendelsund","tag-reverbstorm","tag-robert-slimbach","tag-ulysses"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3sr","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13295","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=13295"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13295\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=13295"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=13295"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=13295"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}