{"id":13060,"date":"2013-01-31T01:55:30","date_gmt":"2013-01-31T01:55:30","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=13060"},"modified":"2013-01-31T01:55:30","modified_gmt":"2013-01-31T01:55:30","slug":"wildeana-9","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/01\/31\/wildeana-9\/","title":{"rendered":"Wildeana 9"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"dine.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/01\/dine.jpg\" \/><\/p>\n<p><em>Dorian Gray (1968) by Jim Dine; one of a series of prints for an illustrated edition. Rainbows didn&#8217;t become a gay symbol until <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/06\/25\/over-the-rainbow\/\">Gilbert Baker&#8217;s flag design<\/a> ten years later.<\/em><\/p>\n<p>Continuing an occasional series.<\/p>\n<p>\u2022 &#8220;&#8230;the Public is a very curious thing; it is sometimes perverse, and even obstinate, and it has evidently made up its mind to like the plays of Mr. Oscar Wilde.&#8221; Callum at <a href=\"http:\/\/callumjames.blogspot.co.uk\/2013\/01\/the-importance-of-being-oscar.html\" target=\"_blank\">Front Free Endpaper<\/a> found a sceptical review of <em>The Importance of Being Earnest<\/em> in <em>The Sketch<\/em> for 20th February, 1895.<\/p>\n<p>\u2022 &#8220;Wilde&#8217;s vision of Socialism, which at that date was probably shared by many people less articulate than himself, is Utopian and anarchistic.&#8221; <a href=\"http:\/\/www.guardian.co.uk\/commentisfree\/2013\/jan\/27\/george-orwell-assesses-oscar-wilde-socialism\" target=\"_blank\">George Orwell<\/a>, writing in 1948, looks back at Wilde&#8217;s <em>The Soul of Man Under Socialism<\/em>.<\/p>\n<p>\u2022 <a href=\"http:\/\/charlesricketts.blogspot.co.uk\/2013\/01\/79-oscar-wilde-between-paris-and.html\" target=\"_blank\">Oscar Wilde between Paris and Brighton<\/a>: Research at the excellent Charles Ricketts &amp; Charles Shannon blog following Wilde&#8217;s travels in the early months of 1891.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.thedailybeast.com\/articles\/2013\/01\/03\/oscar-wilde-s-american-tour.html\" target=\"_blank\">Wilde Ride by Anthony Paletta<\/a>: &#8220;Oscar Wilde spent a year in the US and met the likes of Walt Whitman and Henry James.&#8221;<\/p>\n<p>\u2022 There&#8217;s plenty of Wildeana at <a href=\"http:\/\/pinterest.com\/search\/pins\/?q=oscar+wilde\" target=\"_blank\">Pinterest<\/a>.<\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-oscar-wilde-archive\/\">The Oscar Wilde archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dorian Gray (1968) by Jim Dine; one of a series of prints for an illustrated edition. Rainbows didn&#8217;t become a gay symbol until Gilbert Baker&#8217;s flag design ten years later. Continuing an occasional series. \u2022 &#8220;&#8230;the Public is a very curious thing; it is sometimes perverse, and even obstinate, and it has evidently made up &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/01\/31\/wildeana-9\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Wildeana 9&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,5,14,46],"tags":[4526,206,554,117,2946,395,4525,4421,4524,116,4002],"class_list":["post-13060","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-gay","category-politics","category-theatre","tag-anthony-paletta","tag-charles-ricketts","tag-charles-shannon","tag-dorian-gray","tag-front-free-endpaper","tag-george-orwell","tag-gilbert-baker","tag-henry-james","tag-jim-dine","tag-oscar-wilde","tag-walt-whitman"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3oE","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13060","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=13060"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/13060\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=13060"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=13060"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=13060"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}