{"id":12939,"date":"2013-01-14T02:10:37","date_gmt":"2013-01-14T02:10:37","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=12939"},"modified":"2013-01-14T18:55:27","modified_gmt":"2013-01-14T18:55:27","slug":"george-barbiers-falbalas-et-fanfreluches","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/01\/14\/george-barbiers-falbalas-et-fanfreluches\/","title":{"rendered":"George Barbier\u2019s Falbalas et Fanfreluches"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"barbier01.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/01\/barbier01.jpg\" \/><\/p>\n<p>George Barbier&#8217;s work has been a regular visitor to these pages. <em>Falbalas et Fanfreluches<\/em> was a series of pochoir print portfolios published from 1922\u20131926, a catalogue of various liaisons and amours with a mildly erotic tone. There&#8217;s also some sly humour in the examples below, such as the tiny dogs menacing a dandy in <em>L&#8217;Agression<\/em>, and the eyes of the woman in <em>Romance sans paroles<\/em> wandering to the trim backside of the posing sailor (who doesn&#8217;t seem so interested in her).<\/p>\n<p>In addition to being beautiful drawings, Barbier&#8217;s title has solved for me a minor conundrum: <em>Falbalas et Fanfreluches<\/em> means &#8220;Ruffles and Frills&#8221;, and <a href=\"http:\/\/www.flickr.com\/photos\/gatochy\/577148679\/sizes\/l\/in\/photostream\/\" target=\"_blank\">the Abb\u00e9 Fanfreluche<\/a> is a suitably ruffled and frilled character in Aubrey Beardsley&#8217;s unfinished erotic novel <em>Under the Hill<\/em>.<\/p>\n<p><img decoding=\"async\" alt=\"barbier02.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/01\/barbier02.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"barbier03.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/01\/barbier03.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"barbier04.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/01\/barbier04.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"barbier05.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/01\/barbier05.jpg\" \/><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" alt=\"barbier06.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/01\/barbier06.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"barbier07.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/01\/barbier07.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"barbier08.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/01\/barbier08.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"barbier09.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/01\/barbier09.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"barbier10.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/01\/barbier10.jpg\" \/><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-illustrators-archive\/\">The illustrators archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/01\/07\/vaslav-nijinsky-by-paul-iribe\/\">Vaslav Nijinsky by Paul Iribe<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/09\/04\/the-art-of-george-barbier-1882\u20131932\/\">The art of George Barbier, 1882\u20131932<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/01\/29\/the-decorative-age\/\">The Decorative Age<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/01\/26\/images-of-nijinsky\/\">Images of Nijinsky<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>George Barbier&#8217;s work has been a regular visitor to these pages. Falbalas et Fanfreluches was a series of pochoir print portfolios published from 1922\u20131926, a catalogue of various liaisons and amours with a mildly erotic tone. There&#8217;s also some sly humour in the examples below, such as the tiny dogs menacing a dandy in L&#8217;Agression, &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/01\/14\/george-barbiers-falbalas-et-fanfreluches\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;George Barbier\u2019s Falbalas et Fanfreluches&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,57,48],"tags":[94,695,696],"class_list":["post-12939","post","type-post","status-publish","format-standard","hentry","category-art","category-fashion","category-illustrators","tag-aubrey-beardsley","tag-george-barbier","tag-nijinsky"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3mH","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/12939","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=12939"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/12939\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=12939"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=12939"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=12939"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}