{"id":12918,"date":"2013-01-09T01:48:35","date_gmt":"2013-01-09T01:48:35","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=12918"},"modified":"2013-01-09T01:48:35","modified_gmt":"2013-01-09T01:48:35","slug":"rhinoceros-by-jan-lenica","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/01\/09\/rhinoceros-by-jan-lenica\/","title":{"rendered":"Rhinoceros by Jan Lenica"},"content":{"rendered":"<p><a href=\"http:\/\/archive.org\/details\/lenica_rhinoceros_1965\" target=\"_blank\"><img decoding=\"async\" alt=\"lenica1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/01\/lenica1.jpg\" \/><\/a><\/p>\n<p>As noted here last year, Polish artist Jan Lenica (1928\u20132001) was also an animator as well as a celebrated poster designer. <em>Die Nash\u00f6rner<\/em> (1964) is an 11-minute condensation of Eug\u00e8ne Ionesco&#8217;s\u00a0<a href=\"http:\/\/en.wikipedia.org\/wiki\/Rhinoceros_(play)\" target=\"_blank\"><em>Rhinoceros<\/em><\/a> that no doubt works best if you&#8217;re familiar with the play but which nevertheless contains some funny moments, especially when &#8220;Rhinocerosism&#8221; starts to spread. The film is <a href=\"http:\/\/archive.org\/details\/lenica_rhinoceros_1965\" target=\"_blank\">free to download<\/a> at the Internet Archive.<\/p>\n<p><a href=\"http:\/\/archive.org\/details\/lenica_rhinoceros_1965\" target=\"_blank\"><img decoding=\"async\" alt=\"lenica2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/01\/lenica2.jpg\" \/><\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/01\/05\/repulsion-posters\/\">Repulsion posters<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/09\/22\/dom-by-walerian-borowczyk-and-jan-lenica\/\">Dom by Walerian Borowczyk and Jan Lenica<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/09\/19\/labirynt-by-jan-lenica\/\">Labirynt by Jan Lenica<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As noted here last year, Polish artist Jan Lenica (1928\u20132001) was also an animator as well as a celebrated poster designer. Die Nash\u00f6rner (1964) is an 11-minute condensation of Eug\u00e8ne Ionesco&#8217;s\u00a0Rhinoceros that no doubt works best if you&#8217;re familiar with the play but which nevertheless contains some funny moments, especially when &#8220;Rhinocerosism&#8221; starts to spread. &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/01\/09\/rhinoceros-by-jan-lenica\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Rhinoceros by Jan Lenica&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,7,46],"tags":[4458,4055,4056],"class_list":["post-12918","post","type-post","status-publish","format-standard","hentry","category-animation","category-film","category-theatre","tag-eugene-ionesco","tag-jan-lenica","tag-walerian-borowczyk"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3mm","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/12918","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=12918"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/12918\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=12918"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=12918"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=12918"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}