{"id":12715,"date":"2012-12-06T02:11:48","date_gmt":"2012-12-06T02:11:48","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=12715"},"modified":"2012-12-07T01:31:32","modified_gmt":"2012-12-07T01:31:32","slug":"hr-giger-album-covers","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/12\/06\/hr-giger-album-covers\/","title":{"rendered":"HR Giger album covers"},"content":{"rendered":"<p><a href=\"http:\/\/www.discogs.com\/viewimages?release=2716653\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/12\/giger4.jpg\" alt=\"giger4.jpg\" \/><\/a><\/p>\n<p><em>Walpurgis (1969) by The Shiver.<\/em><\/p>\n<p>An inevitable follow-up to yesterday&#8217;s post, this continues an occasional look at album cover art by people better known for their work elsewhere. Giger&#8217;s album covers fall into two categories: those with some direct involvement from the artist and those which are merely reuses of pre-existing paintings. The former category is the one that&#8217;s of concern here.<\/p>\n<p>The Shiver were a <del>German<\/del> Swiss group who <a href=\"http:\/\/www.discogs.com\/\" target=\"_blank\">Discogs<\/a> label as &#8220;Krautrock&#8221;, a term with an unfortunate tendency these days to get attached to any German music that isn&#8217;t James Last. From what I&#8217;ve heard the group are a lot more ordinary than that, doing the kind of late psychedelic\/early progressive rock common to many European bands in 1969.<\/p>\n<p><strong>Update:<\/strong> Further research reveals that The Shiver were Swiss, not German as they&#8217;re listed at Discogs. They evolved later into Island (see below) which explains why both groups released albums bearing Giger cover art.<\/p>\n<p><a href=\"http:\/\/www.discogs.com\/viewimages?release=1080334\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/12\/giger5.jpg\" alt=\"giger5.jpg\" \/><\/a><\/p>\n<p><em>Brain Salad Surgery (1973) by Emerson, Lake &amp; Palmer.<\/em><\/p>\n<p>And speaking of prog&#8230; I&#8217;ve always loved the cover for this album which in its vinyl edition opens out to reveal the spectral woman beneath. The female face is named <em>Isis<\/em> on a poster I still have somewhere. Despite liking the cover I never really liked ELP so this is one album of the period I&#8217;ve yet to hear.<\/p>\n<p><a href=\"http:\/\/www.discogs.com\/viewimages?release=1080334\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/12\/giger6.jpg\" alt=\"giger6.jpg\" \/><\/a><\/p>\n<p><em>Brain Salad Surgery interior.<\/em><\/p>\n<p><a href=\"http:\/\/www.discogs.com\/viewimages?release=1979147\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/12\/giger7.jpg\" alt=\"giger7.jpg\" \/><\/a><\/p>\n<p><em>Pictures (1977) by Island.<\/em><\/p>\n<p>And yet more prog&#8230; Island were a Swiss group. The cover painting is <em>Necronom IIIa<\/em> (1976) with some Giger lettering added.<\/p>\n<p><a href=\"http:\/\/2.bp.blogspot.com\/_8u2FIp2pEoM\/SxKJTiiHDsI\/AAAAAAAAAmk\/2sW7YAzHhPQ\/s1600\/hr_giger_attahk.jpg\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/12\/giger8.jpg\" alt=\"giger8.jpg\" \/><\/a><\/p>\n<p><em>Attahk (1978) by Magma.<\/em><\/p>\n<p>Magma are (of course) Christian Vander&#8217;s ongoing jazz\/prog\/opera\/<a href=\"http:\/\/en.wikipedia.org\/wiki\/Zeuhl\" target=\"_blank\">Zeuhl<\/a>\/sf\/freakout music project. Giger declares a taste for jazz and jazz rock in one of his books so I imagine this commission would have appealed more than others, Magma&#8217;s approach to jazz having an apocalyptic tendency. Track titles like <em>Liri\u00efk Necronomicus Kanht (In Which Our Heroes Ourgon &amp; Gorgo Meet)<\/em> wouldn&#8217;t have done much harm either. The safety-pin sunglasses were inspired by the safety-pin fashions of punk.<\/p>\n<p><a href=\"http:\/\/www.discogs.com\/viewimages?release=459975\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/12\/giger9.jpg\" alt=\"giger9.jpg\" \/><\/a><\/p>\n<p><em>KooKoo (1981) by Debbie Harry.<\/em><\/p>\n<p>And speaking of punk&#8230; Giger considered Debbie Harry to be &#8220;the Queen of the Punks&#8221; so he decided to pierce her face accordingly. The album isn&#8217;t punk, however, it&#8217;s a collection of smart and funky pop songs produced by Nile Rodgers &amp; Bernard Edwards. Two singles from the album have Giger-directed videos, <a href=\"http:\/\/www.youtube.com\/watch?v=Ng3pK-tzuh4\" target=\"_blank\"><em>Backfired<\/em><\/a> (which HRG also appears in), and <a href=\"http:\/\/www.youtube.com\/watch?v=tb3SK4e_qw4\" target=\"_blank\"><em>Now I Know You Know<\/em><\/a> which has Ms Harry posing against the <em>Passagen<\/em> paintings in a black wig and a biomechanical body stocking. There&#8217;s more about the <em>KooKoo<\/em> album at <a href=\"http:\/\/www.hrgiger.com\/music\/kookoo.htm\" target=\"_blank\">the Giger site<\/a>.<\/p>\n<p><a href=\"http:\/\/www.discogs.com\/viewimages?release=459975\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/12\/giger10.jpg\" alt=\"giger10.jpg\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.discogs.com\/viewimages?release=459975\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/12\/giger11.jpg\" alt=\"gige11.jpg\" \/><\/a><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-album-covers-archive\/\">The album covers archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/12\/05\/gigers-necronomicon\/\">Giger&#8217;s Necronomicon<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/12\/19\/dan-obannon-1946\u20132009\/\">Dan O\u2019Bannon, 1946\u20132009<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/09\/22\/alejandro-jodorowskys-dune\/\">Alejandro Jodorowsky\u2019s Dune<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/06\/28\/the-monstrous-tome\/\">The monstrous tome<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Walpurgis (1969) by The Shiver. An inevitable follow-up to yesterday&#8217;s post, this continues an occasional look at album cover art by people better known for their work elsewhere. Giger&#8217;s album covers fall into two categories: those with some direct involvement from the artist and those which are merely reuses of pre-existing paintings. The former category &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/12\/06\/hr-giger-album-covers\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;HR Giger album covers&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,4,7,3,44],"tags":[4362,4359,4360,720,1473,4361],"class_list":["post-12715","post","type-post","status-publish","format-standard","hentry","category-art","category-design","category-film","category-music","category-painting","tag-bernard-edwards","tag-christian-vander","tag-debbie-harry","tag-hr-giger","tag-magma","tag-nile-rodgers"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3j5","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/12715","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=12715"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/12715\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=12715"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=12715"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=12715"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}