{"id":12664,"date":"2012-11-29T01:32:38","date_gmt":"2012-11-29T01:32:38","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=12664"},"modified":"2012-11-29T01:32:38","modified_gmt":"2012-11-29T01:32:38","slug":"athanasius-kirchers-pyramids","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/11\/29\/athanasius-kirchers-pyramids\/","title":{"rendered":"Athanasius Kircher&#8217;s pyramids"},"content":{"rendered":"<p><a href=\"http:\/\/digi.ub.uni-heidelberg.de\/diglit\/kircher1676\/0003?sid=fae49c2b80bd7ec56f70f6e82b3fa969&amp;zoomlevel=4\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/11\/kircher.jpg\" alt=\"kircher.jpg\" \/><\/a><\/p>\n<p>Athanasius Kircher\u2019s pyramids aren&#8217;t as vast as <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/11\/28\/the-art-of-thomas-cole-1801-1848\/\">Thomas Cole&#8217;s dream construction<\/a>\u2014for size you need Kircher&#8217;s <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/12\/16\/athanasius-kirchers-tower-of-babel\/\">Tower of Babel<\/a>\u2014but they&#8217;re still eccentric inasmuch as they don&#8217;t correspond to any group of Egyptian structures. One of the great things about the etchings in Kircher&#8217;s books is the way their detail gives a sense of veracity to their depictions. Go slightly further back in time and you&#8217;ll find scenes that are just as eccentric but much more crudely rendered; go forward a few years and too much was known about ancient ruins to ever depict them this way again. The illustration is the frontispiece to Kircher&#8217;s <em>Sphinx Mystagoga<\/em> (1676) which can be seen in full at <a href=\"http:\/\/digi.ub.uni-heidelberg.de\/diglit\/kircher1676\/0001\/thumbs?sid=fae49c2b80bd7ec56f70f6e82b3fa969#current_page\" target=\"_blank\">the University of Heidelberg<\/a>. The details in Kircher&#8217;s illustrations benefit from the <a href=\"http:\/\/digi.ub.uni-heidelberg.de\/diglit\/kircher1676\/0003?sid=fae49c2b80bd7ec56f70f6e82b3fa969&amp;zoomlevel=4\" target=\"_blank\">high-resolution scans<\/a>.<\/p>\n<p>Steve in the comments to yesterday&#8217;s post mentions another painting featuring an impossible view of architecture through the ages (pyramids included), <em>The Professor&#8217;s Dream<\/em> (1848) by Charles Robert Cockerell. BLDGBLOG ran <a href=\"http:\/\/bldgblog.blogspot.co.uk\/2009\/05\/immersive-future-of-architectural.html\" target=\"_blank\">a post about Cockrell&#8217;s paintings<\/a> a couple of years ago.<\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-etching-and-engraving-archive\/\">The etching and engraving art archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/12\/16\/athanasius-kirchers-tower-of-babel\/\">Athanasius Kircher\u2019s Tower of Babel<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/02\/07\/china-monumentis-by-athanasius-kircher\/\">China Monumentis by Athanasius Kircher<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Athanasius Kircher\u2019s pyramids aren&#8217;t as vast as Thomas Cole&#8217;s dream construction\u2014for size you need Kircher&#8217;s Tower of Babel\u2014but they&#8217;re still eccentric inasmuch as they don&#8217;t correspond to any group of Egyptian structures. One of the great things about the etchings in Kircher&#8217;s books is the way their detail gives a sense of veracity to their &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/11\/29\/athanasius-kirchers-pyramids\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Athanasius Kircher&#8217;s pyramids&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42],"tags":[215,1841,4325],"class_list":["post-12664","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","tag-athanasius-kircher","tag-bldgblog","tag-charles-robert-cockerell"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3ig","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/12664","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=12664"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/12664\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=12664"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=12664"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=12664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}