{"id":12610,"date":"2012-11-18T01:54:54","date_gmt":"2012-11-18T01:54:54","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=12610"},"modified":"2013-02-02T03:31:04","modified_gmt":"2013-02-02T03:31:04","slug":"weekend-links-135","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/11\/18\/weekend-links-135\/","title":{"rendered":"Weekend links 135"},"content":{"rendered":"

\"kuhlman.jpg\"<\/a><\/p>\n

Two Grove Press covers by Roy Kuhlman. From Arden Kuhlman Riordan’s Pinterest page<\/a> collecting her father’s cover designs.<\/em><\/p>\n

\u2022 \u201cWhen people asked me what boylesque<\/a> was, I\u2019d say I\u2019m doing burlesque and I have a penis,\u201d said Mr. Ferguson.<\/p>\n

\u2022 Sequence5<\/em>: 42 tracks of new, atmospheric\/ambient music<\/a>. A free download in a variety of formats.<\/p>\n

\u2022 The trailer for Jimmy’s End<\/em><\/a>, the forthcoming film by Alan Moore and Mitch Jenkins.<\/p>\n

As a porn performer, I can say from experience and with confidence that I\u2019ve never been objectified by other performers. Nor have I been objectified by viewers. At least not in a way that seemed to confuse them into thinking I was an object. What happens instead is that I shift in and out of object-hood. Athletes do this too\u2014they engage with their bodies for a specific task. At the end of the game or the shoot, the context changes.<\/p>\n

Conner Habib<\/a> on The Virtues of Being an Object<\/em><\/p><\/blockquote>\n

\u2022 Secret Weapons<\/em><\/a> (1972), David Cronenberg’s lost TV movie resurfaces.<\/p>\n

\u2022 Joseph Burnett reviews Nude<\/em><\/a>, the new album by The Irrepressibles.<\/p>\n

\u2022 Over a third of e-readers are used just once before being set aside<\/a>.<\/p>\n

The guarded, the cautious, the small-scale, the modest, the well-crafted\u2014such books may be rewarded (in our own time, at the national level), but they are rarely preserved. They are not preserved because guardedness, caution, smallness, modesty, and craft can be replaced in any given generation. What is irreplaceable is excess: Of verbal kinesis, religious intensity, intellectual voracity.<\/p>\n

Amit Majmudar<\/a> on Entertainment and Excess: The Great Literary Audiences<\/em><\/p><\/blockquote>\n

\u2022 Miniature Book Interviews with Louis Wain Bound by Hand<\/a>.<\/p>\n

\u2022 A Tour Inside Salvador Dal\u00ed\u2019s Labyrinthine Spanish Home<\/a>.<\/p>\n

\u2022 Horror fiction should be deep, not cheap, says Nina Allan<\/a>.<\/p>\n

\u2022 RIP Peter Kuhlmann aka Pete Namlook<\/a><\/p>\n

\u2022 More is More<\/em> by Alex Trochut<\/a><\/p>\n

\u2022 The Useless Web<\/a><\/p>\n

\u2022 Lost In The Sea<\/a><\/em> (1992) by Sequential (Pete Namlook & DJ Criss) | Angel Tech<\/a><\/em> (1994) by Bill Laswell & Pete Namlook | Yenlik (Part II)<\/a><\/em> (1996) by Burhan \u00d6\u00e7al & Pete Namlook<\/p>\n","protected":false},"excerpt":{"rendered":"

Two Grove Press covers by Roy Kuhlman. From Arden Kuhlman Riordan’s Pinterest page collecting her father’s cover designs. \u2022 \u201cWhen people asked me what boylesque was, I\u2019d say I\u2019m doing burlesque and I have a penis,\u201d said Mr. Ferguson. \u2022 Sequence5: 42 tracks of new, atmospheric\/ambient music. A free download in a variety of formats. … Continue reading “Weekend links 135”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,28,4,29,7,5,22,3,18,15],"tags":[103,4287,4285,4283,466,4288,4284,2207,4281,3951,631,1256,3179,4286,4282,87,1583,1190],"class_list":["post-12610","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-burroughs","category-design","category-electronica","category-film","category-gay","category-horror","category-music","category-surrealism","category-technology","tag-alan-moore","tag-alex-trochut","tag-amit-majmudar","tag-arden-kuhlman-riordan","tag-bill-laswell","tag-burhan-ocal","tag-conner-habib","tag-david-cronenberg","tag-grove-press","tag-joseph-burnett","tag-louis-wain","tag-mitch-jenkins","tag-nina-allan","tag-pete-namlook","tag-roy-kuhlman","tag-salvador-dali","tag-the-irrepressibles","tag-william-burroughs"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3ho","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/12610","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=12610"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/12610\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=12610"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=12610"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=12610"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}