{"id":12347,"date":"2012-11-11T03:05:08","date_gmt":"2012-11-11T03:05:08","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=12347"},"modified":"2013-02-02T03:31:08","modified_gmt":"2013-02-02T03:31:08","slug":"weekend-links-134","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/11\/11\/weekend-links-134\/","title":{"rendered":"Weekend links 134"},"content":{"rendered":"<p><a href=\"http:\/\/www.leonardoulian.it\/\" target=\"_blank\"><img decoding=\"async\" alt=\"ulian.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/11\/ulian.jpg\" \/><\/a><\/p>\n<p><em>Technological mandala 02 (The beginning) (2012) by <a href=\"http:\/\/www.leonardoulian.it\/\" target=\"_blank\">Leonardo Ulian<\/a>.<\/em><\/p>\n<p>\u2022 The Yellow Magic Orchestra really were the Japanese equivalent of Kraftwerk in 1978. I&#8217;d not seen <a href=\"http:\/\/www.youtube.com\/watch?v=aWt46pcZ6Kc\" target=\"_blank\">this video for <em>Firecracker<\/em><\/a> before. Same goes for the <a href=\"http:\/\/www.youtube.com\/watch?v=7OOLxGjb3dY\" target=\"_blank\"><em>Technopolis<\/em><\/a> and <a href=\"http:\/\/www.youtube.com\/watch?v=sk6o4GWFIV8\" target=\"_blank\"><em>Rydeen<\/em><\/a> videos. Related: YMO&#8217;s synth programmer, <a href=\"http:\/\/www.youtube.com\/watch?v=IOWiJB2ewgA\" target=\"_blank\">Hideki Matsutake<\/a>, showing off his modular Moog on a Japanese TV show.<\/p>\n<p>\u2022 <em>Sra<\/em>\u00a0is the final book in the <em>Aedena Cycle<\/em> by Moebius. It&#8217;s never been translated into English but <a href=\"http:\/\/theairtightgarage.tumblr.com\/tagged\/sra\/page\/5\" target=\"_blank\">Quenched Consciousness<\/a> has just finished posting the entire book in an unofficial translation.<\/p>\n<p>\u2022 \u201cIt\u2019s better to have a small amount of good comics, than a big amount of mediocre comics.\u201d Dutch comic artist <a href=\"http:\/\/www.tcj.com\/the-joost-swarte-interview\/\" target=\"_blank\">Joost Swarte<\/a> interviewed.<\/p>\n<p>\u2022 From 2007: <a href=\"http:\/\/www.wired.com\/table_of_malcontents\/2007\/02\/the_strange_lov\/\" target=\"_blank\">The Strange Lovecraftian Statuary of Puerto Vallarta<\/a> (Thanks, Ian.) Related: <a href=\"http:\/\/en.wikipedia.org\/wiki\/Alejandro_Colunga\" target=\"_blank\">More art by Alejandro Colunga<\/a>.<\/p>\n<p><a href=\"http:\/\/beautifulcentury.tumblr.com\/post\/35063462435\/decorativeindulgences-ca-1885-industrial\" target=\"_blank\"><img decoding=\"async\" alt=\"steam.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/11\/steam.jpg\" \/><\/a><\/p>\n<p><em>A novelty mechanical clock barometer in the form of a steam engine (c. 1885).<\/em><\/p>\n<p>\u2022 <a href=\"http:\/\/www.newscientist.com\/blogs\/shortsharpscience\/2012\/11\/iconic-80s-drum-machine-in-lar.html\" target=\"_blank\">The MR-808<\/a>: a room-size TR-808 drum machine by Moritz Simon Geist with real instruments played by robot hands.<\/p>\n<p>\u2022 &#8220;Shoot us and dig the grave; otherwise we\u2019re staying.&#8221; <a href=\"http:\/\/www.telegraph.co.uk\/earth\/environment\/9646437\/The-women-living-in-Chernobyls-toxic-wasteland.html\" target=\"_blank\">The women living in Chernobyl&#8217;s toxic wasteland<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.wesseloconnor.com\/exhibits\/rinaldi\/rinaldi1.php\" target=\"_blank\"><em>Hotel Room Portraits 1999\u20132012<\/em> by Richard Renaldi<\/a>, a new photo exhibition at Wessel + O&#8217;Connor.<\/p>\n<p>\u2022 <a href=\"http:\/\/callumjames.blogspot.co.uk\/2012\/11\/lanes-telescopic-view-of-opening-of.html\" target=\"_blank\">Lane&#8217;s Telescopic View of the Opening of the Great Exhibition, 1851<\/a>.<\/p>\n<p>\u2022 &#8220;I&#8217;m the target market, and I don&#8217;t like it!&#8221; <a href=\"http:\/\/sharpsuits.net\/\" target=\"_blank\">A Creative Catharsis<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/warp.net\/records\/releases\/brian-eno\/lux\" target=\"_blank\">Brian Eno&#8217;s new ambient album, <em>Lux<\/em><\/a>, is released on Monday.<\/p>\n<p>\u2022 <a href=\"http:\/\/strangeflowers.wordpress.com\/2012\/11\/09\/sergei-parajanov-collages\/\" target=\"_blank\">Collages by Sergei Parajanov<\/a>.<\/p>\n<p>\u2022 <em><a href=\"http:\/\/www.youtube.com\/watch?v=m3owC4lV6cE\" target=\"_blank\">Techno City<\/a><\/em> (1984) by Cybotron | <em><a href=\"http:\/\/www.youtube.com\/watch?v=PQVMfU1896I\" target=\"_blank\">Techno Primitiv<\/a><\/em> (1985) by Chris &amp; Cosey | <em><a href=\"http:\/\/www.youtube.com\/watch?v=N7YIKCb_Qk0\" target=\"_blank\">Techno Dread<\/a><\/em> (2008) by 2562.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Technological mandala 02 (The beginning) (2012) by Leonardo Ulian. \u2022 The Yellow Magic Orchestra really were the Japanese equivalent of Kraftwerk in 1978. I&#8217;d not seen this video for Firecracker before. Same goes for the Technopolis and Rydeen videos. Related: YMO&#8217;s synth programmer, Hideki Matsutake, showing off his modular Moog on a Japanese TV show. &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/11\/11\/weekend-links-134\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 134&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,1029,9,4,29,7,5,3,12,41,15,19],"tags":[4262,4258,145,1805,4261,120,4256,3450,4257,122,4254,4263,4259,400,249,3590,4260,4255],"class_list":["post-12347","post","type-post","status-publish","format-standard","hentry","category-art","category-collage","category-comics","category-design","category-electronica","category-film","category-gay","category-music","category-photography","category-sculpture","category-technology","category-television","tag-4262","tag-alejandro-colunga","tag-brian-eno","tag-chris-cosey","tag-cybotron","tag-expositions","tag-hideki-matsutake","tag-jean-giraud-moebius","tag-joost-swarte","tag-kraftwerk","tag-leonardo-ulian","tag-moritz-simon-geist","tag-richard-renaldi","tag-sergei-parajanov","tag-steampunk","tag-tr-808","tag-wessel-oconnor","tag-yellow-magic-orchestra"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3d9","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/12347","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=12347"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/12347\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=12347"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=12347"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=12347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}