{"id":12133,"date":"2012-10-07T02:07:22","date_gmt":"2012-10-07T01:07:22","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=12133"},"modified":"2013-02-02T03:31:47","modified_gmt":"2013-02-02T03:31:47","slug":"weekend-links-129","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/10\/07\/weekend-links-129\/","title":{"rendered":"Weekend links 129"},"content":{"rendered":"

\"proffer.jpg\"<\/a><\/p>\n

Daughters of Maternal Impression by Arabella Proffer<\/a>.<\/em><\/p>\n

A genre\u2019s landscape should be littered with used tropes half-visible through their own smoke & surrounded by salvage artists with welding sets, otherwise it isn\u2019t a genre at all.<\/p><\/blockquote>\n

M. John Harrison<\/a>, incisive as ever, on what he memorably labels “Pink Slime Fiction”. Elsewhere (and at much greater length) Cowardice, Laziness and Irony: How Science Fiction Lost the Future<\/a> by Jonathan McCalmont, and a two-part Paul Kincaid interview here<\/a> and here<\/a>.<\/p>\n

\u2022 “Once upon a time, in almost every city, many rivers flowed. Why did they disappear? How? And could we see them again? This documentary tries to find answers by meeting visionary urban thinkers, activists and artists from around the world.” A trailer for Lost Rivers<\/em><\/a>, written and directed by Caroline B\u00e2cle. Related (and mentioned here before), London’s Lost Rivers: A Walker’s Guide<\/em><\/a> by Tom Bolton.<\/p>\n

\u2022 Ghosts in the Machine<\/a>: “Curated by Massimiliano Gioni and Gary Carrion-Murayari, a recent exhibition was imagined as a Wunderkammer<\/em> simultaneously tracing and questioning the relationship between people and technology.” And in\u00a0Istanbul a Wunderkammer<\/em> of a different kind: Rick Poynor looks at Orhan Pamuk’s Museum of Innocence<\/a>.<\/p>\n

\u2022 “There’s a vast territory still to be explored…” Bristol duo Emptyset<\/a> (James Ginzburg & Paul Purgas), many of whose releases I’ve designed, talk about their music<\/a>. Tracks from their new EP on the Raster-Noton label can be heard here<\/a>. You’re going to need bigger speakers.<\/p>\n

\u2022 “I liked doing it one time but I don\u2019t want to become the gay porn soundtrack guy.” Ben Chasny<\/a> of Six Organs of Admittance talking to Sir Richard Bishop about one of his more unusual commissions.<\/p>\n

\"durham.jpg\"<\/a><\/p>\n

Double Vision (2009) by Bonnie Durham<\/a>.<\/em><\/p>\n

\u2022 FACT mix 349<\/a>: Silent Servant puts together a great selection of music old and new with the emphasis on the grit of the early Industrial era.<\/p>\n

\u2022 Read Joyce\u2019s Ulysses<\/em> line by line<\/a>, for the next 22 years, with Frank Delaney\u2019s podcast.<\/p>\n

\u2022 Borges and the Plain Sense of Things<\/a>, an article from 2006 by Gabriel Josipovici.<\/p>\n

\u2022 Clive Hicks-Jenkins<\/a> on Equus<\/em> and seeing your inspirations come full circle.<\/p>\n

\u2022 At Pinterest: A few nice paintings of men<\/a><\/p>\n

\u2022 Spunk [arts] magazine<\/em><\/a><\/p>\n

\u2022 Derelict London<\/a><\/p>\n

\u2022\u00a0Ritualistic Bug Use<\/em><\/a> (2009) by Pink Skull | Demiurge Variations<\/a><\/em> (2012) by Emptyset | Utopian Disaster (End)<\/a><\/em> (2012) by Silent Servant.<\/p>\n","protected":false},"excerpt":{"rendered":"

Daughters of Maternal Impression by Arabella Proffer. A genre\u2019s landscape should be littered with used tropes half-visible through their own smoke & surrounded by salvage artists with welding sets, otherwise it isn\u2019t a genre at all. M. John Harrison, incisive as ever, on what he memorably labels “Pink Slime Fiction”. Elsewhere (and at much greater … Continue reading “Weekend links 129”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,27,29,7,5,43,3,44,20,41,46],"tags":[4123,4132,4134,4126,767,3188,4136,1588,4129,4130,135,4124,1483,2291,4128,2494,4125,4131,4137,8817,1463,4135,4133,3932,4127,428],"class_list":["post-12133","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-borges","category-electronica","category-film","category-gay","category-magazines","category-music","category-painting","category-science-fiction","category-sculpture","category-theatre","tag-arabella-proffer","tag-ben-chasny","tag-bonnie-durham","tag-caroline-bacle","tag-clive-hicks-jenkins","tag-emptyset","tag-frank-delaney","tag-gabriel-josipovici","tag-gary-carrion-murayari","tag-james-ginzburg","tag-james-joyce","tag-jonathan-mccalmont","tag-jorge-luis-borges","tag-m-john-harrison","tag-massimiliano-gioni","tag-orhan-pamuk","tag-paul-kincaid","tag-paul-purgas","tag-pink-skull","tag-richard-bishop","tag-rick-poynor","tag-silent-servant","tag-sir-richard-bishop","tag-six-organs-of-admittance","tag-tom-bolton","tag-ulysses"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-39H","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/12133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=12133"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/12133\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=12133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=12133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=12133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}