![\"wrongeye.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/09\/wrongeye.jpg\")
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Seven-inch sleeve design by Savage Pencil<\/a> for Wrong Eye<\/a> (1990) by Coil.<\/em><\/p>\n \u2022 “Can you use sensory deprivation to explore ESP? And then make music from the process?” Drew Daniel and MC Schmidt of Matmos<\/a> decided to find out for their new EP. Related: Occult Voices\u2014Paranormal Music, Recordings of Unseen Intelligences, 1905\u20132007<\/em><\/a> at Ubuweb. Details of the original CD release can be found here<\/a>.<\/p>\n \u2022 Gorgeous Gallery: The Best in Gay Erotic Art<\/a><\/em> is a new book by David Leddick featuring the work of contemporary gay artists. Howard G. Williams has a review at Lambda Literary<\/a>.<\/p>\n \u2022 Trip or Squeek<\/em> by Savage Pencil<\/a>, a book collection of the artist’s comic strips for The Wire<\/em> magazine, forthcoming from Strange Attractor Press.<\/p>\n The novels of the middle period are Burgess\u2019s most vital because it was in these that he forged what we might now recognize as the Burgessian \u2013 the antic puns and wordplay, the etymological digressions, the opacity, the glamorous pedantry, the tympanic repetitions, and an alliterative, assonantal musicality that makes every sentence seem vivid and extrovert: \u201cSeafood salt with savour of seabrine thwacking throat with thriving wine-thirst\u201d; \u201cthe lucent flawlessness of the skin, of the long fleshly languor that flowered into visibility\u201d; \u201che was in a manner tricked, coney-caught, a court-dor to a cozening cotquean\u201d. This is Burgess\u2019s description of an Elizabethan brothel: \u201cHe entered darkness that smelled of musk and dust, the tang of sweating oxters, and, somehow, the ancient stale reek of egg after egg cracked in waste, the musty hold-smell of seamen\u2019s garments, seamen\u2019s semen spattered, a ghost procession of dead sailors lusting till the crack of doom\u201d.<\/p>\n Ben Masters on A Clockwork Orange and its creator, fifty years on<\/a><\/em><\/p><\/blockquote>\n \u2022 A streaming album for the beginning of autumn, the self-titled debut by Eraas<\/a>, available in a range of formats at Bandcamp<\/a>.<\/p>\n \u2022 “How Collecting Opium Antiques Turned Me Into an Opium Addict<\/a>.”<\/p>\n \u2022 Ted Hughes reads from Crow<\/em><\/a>. Related: Raptors by Leonard Baskin<\/a>.<\/p>\n \u2022 Janitors of Lunacy: Jonny Mugwump<\/a> remembers Coil.<\/p>\n Back in June I suggested<\/a> Clive Hicks-Jenkins’ paintings as potential artwork for Penguin’s Modern Classics series. Last week Clive revealed that Penguin will be using one of his painted maquettes for a new edition of Equus<\/a> next year.<\/em><\/p>\n \u2022 150 Years of Lesbians and Other Lady-Loving-Ladies<\/a><\/p>\n \u2022 Color Sound Oblivion<\/a>: a Coil\/TG\/related Tumblr.<\/p>\n \u2022 Tune in, psych out: the new black psychedelia<\/a>.<\/p>\n \u2022 The Hills Are Alive<\/a><\/em> (1995) by Coil | QueenS<\/a><\/em> (2012) by THEESatisfaction | Goldblum<\/a><\/em> (2012) by Oddience.<\/p>\n","protected":false},"excerpt":{"rendered":" Seven-inch sleeve design by Savage Pencil for Wrong Eye (1990) by Coil. \u2022 “Can you use sensory deprivation to explore ESP? And then make music from the process?” Drew Daniel and MC Schmidt of Matmos decided to find out for their new EP. Related: Occult Voices\u2014Paranormal Music, Recordings of Unseen Intelligences, 1905\u20132007 at Ubuweb. Details … Continue reading “Weekend links 128”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,9,4,851,29,5,3,16,17,46],"tags":[170,998,4094,767,2272,4092,2377,4095,4093,4098,4097,2378,4091,4100,769,1427,98,4096,4099,119],"class_list":["post-12086","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-comics","category-design","category-drugs","category-electronica","category-gay","category-music","category-occult","category-psychedelia","category-theatre","tag-a-clockwork-orange","tag-anthony-burgess","tag-ben-masters","tag-clive-hicks-jenkins","tag-coil-group","tag-david-leddick","tag-drew-daniel","tag-eraas","tag-howard-g-williams","tag-jonny-mugwump","tag-leonard-baskin","tag-matmos","tag-mc-schmidt","tag-oddience","tag-peter-shaffer","tag-savage-pencil","tag-strange-attractor","tag-ted-hughes","tag-theesatisfaction","tag-ubuweb"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-38W","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/12086","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=12086"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/12086\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=12086"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=12086"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=12086"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"equus.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/09\/equus.jpg\")
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