{"id":12082,"date":"2012-09-29T02:51:47","date_gmt":"2012-09-29T01:51:47","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=12082"},"modified":"2012-09-29T05:50:22","modified_gmt":"2012-09-29T04:50:22","slug":"tentacles-5-art-nouveau","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/09\/29\/tentacles-5-art-nouveau\/","title":{"rendered":"Tentacles #5: Art Nouveau"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/09\/watch.jpg\" alt=\"watch.jpg\" \/><\/p>\n<p><em>Fob watch (c. 1890) made by Gorham for Tiffany.<\/em><\/p>\n<p>Concluding a week of tentacular posts. I was tempted to do something about tentacle porn but that subject has <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/03\/27\/gay-octopus-sex\/\">already been covered here<\/a>, and besides, there&#8217;s rather a lot of it around these days. Given the writhing nature of octopus limbs you&#8217;d expect there to be far more octopoid Art Nouveau design than there is. The Art Nouveau style was exceptional in allowing the octopus to become a design motif, probably the first time in Western Europe the animal had been given its decorative due since the Ancient Greeks, Minoans and other Mediterranean civilisations used it to <a href=\"http:\/\/en.wikipedia.org\/wiki\/File:Ancient_Greek_pottery_in_the_National_Archaeological_Museum_in_Athens_13.JPG\" target=\"_blank\">pattern dishes and vases<\/a>. The remoteness of the animal is no doubt one reason it was shunned for so long in northern countries: British sailors used to refer to octopuses as &#8220;devil-fishes&#8221;, a term that appears in William Hope Hodgson&#8217;s fiction. Octopuses in Europe weren&#8217;t part of the general culture the way they are in Japan. It took the appearance of Ernst Haeckel&#8217;s <a href=\"http:\/\/www.flickr.com\/photos\/origomi\/sets\/72157601323433758\/with\/1062082765\/\" target=\"_blank\"><em>Kunst-Formen der Natur<\/em><\/a>, published from 1899 to 1904, to bring the aesthetic attractions of the stranger varieties of marine life to a wide audience.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/09\/ledru.jpg\" alt=\"ledru.jpg\" \/><\/p>\n<p><em>The Prey (1895), bronze by Auguste Ledru.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/09\/vignette.jpg\" alt=\"vignette.jpg\" \/><\/p>\n<p><em>From Animal Vignettes (c. 1900)<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/09\/rothmuller1.jpg\" alt=\"rothmuller1.jpg\" \/><\/p>\n<p><em>Buckle in silver, gilt, opal, garnet, chalcedony (c. 1900) by Karl Rothm\u00fcller.<\/em><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/09\/rothmuller2.jpg\" alt=\"rothmuller2.jpg\" \/><\/p>\n<p><em>Ring by Karl Rothm\u00fcller.<\/em><\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/09\/krieger-big.jpg\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/09\/krieger.jpg\" alt=\"krieger.jpg\" \/><\/a><\/p>\n<p><em>Jewellery designs by B\u00e9la-Gyula Krieger (c. 1900).<\/em><\/p>\n<p>B\u00e9la-Gyula Krieger was a Hungarian artist working as an <em>animalier<\/em> for Parisian jewellery designers. This page of splendid octopus and squid designs is from Dover Publications&#8217; <a href=\"http:\/\/www.goodreads.com\/book\/show\/2020465.Art_Nouveau_Fantasy_Animal_Jewelry_Designs\" target=\"_blank\"><em>Art Nouveau Fantasy Animal Jewelry Designs<\/em><\/a> (1997). Information about Krieger remains scarce, the book only gives his birth date, 1861, and says little else about him.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/02\/dkd07-11.jpg\" alt=\"dkd07-11.jpg\" \/><\/p>\n<p><em>Fritz Erler (1900).<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/09\/inkwell1.jpg\" alt=\"inkwell1.jpg\" \/><\/p>\n<p><em>Mermaid and octopus inkwell from Vienna (c. 1910)<\/em><\/p>\n<p>Two versions of the same inkwell, with a mirror for the water above, and blue glass below. The second version also appears to have had its octopus-head lid replaced.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/09\/inkwell2.jpg\" alt=\"inkwell2.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/09\/lalique.jpg\" alt=\"lalique.jpg\" \/><\/p>\n<p><em>Lalique vase (1921).<\/em><\/p>\n<p>Too late for an Art Nouveau design but a great use of tentacles by Ren\u00e9 Lalique. The shape of the vase takes the motif back to the Mediterranean.<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/09\/28\/tentacles-4-cthulhu-in-poland\/\">Tentacles #4: Cthulhu in Poland<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/09\/27\/tentacles-3-dwellers-in-the-mirage\/\">Tentacles #3: Dwellers in the Mirage<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/09\/26\/tentacles-2-the-lost-continent\/\">Tentacles #2: The Lost Continent<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/09\/25\/tentacles-1-the-boats-of-the-glen-carrig\/\">Tentacles #1: The Boats of the \u2018Glen Carrig\u2019<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/12\/12\/jewelled-butterflies-and-cephalopods\/\">Jewelled butterflies and cephalopods<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fob watch (c. 1890) made by Gorham for Tiffany. Concluding a week of tentacular posts. I was tempted to do something about tentacle porn but that subject has already been covered here, and besides, there&#8217;s rather a lot of it around these days. Given the writhing nature of octopus limbs you&#8217;d expect there to be &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/09\/29\/tentacles-5-art-nouveau\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Tentacles #5: Art Nouveau&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[58,4,57],"tags":[4088,4090,1952,104,1723,2261,4089,2350,1951],"class_list":["post-12082","post","type-post","status-publish","format-standard","hentry","category-art-nouveau","category-design","category-fashion","tag-auguste-ledru","tag-bela-gyula-krieger","tag-cephalopods","tag-cthulhu","tag-ernst-haeckel","tag-fritz-erler","tag-karl-rothmuller","tag-rene-lalique","tag-william-hope-hodgson"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-38S","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/12082","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=12082"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/12082\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=12082"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=12082"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=12082"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}