{"id":12032,"date":"2012-09-22T03:00:07","date_gmt":"2012-09-22T02:00:07","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=12032"},"modified":"2025-09-20T19:27:18","modified_gmt":"2025-09-20T18:27:18","slug":"dom-by-walerian-borowczyk-and-jan-lenica","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/09\/22\/dom-by-walerian-borowczyk-and-jan-lenica\/","title":{"rendered":"Dom by Walerian Borowczyk and Jan Lenica"},"content":{"rendered":"

\"dom.jpg\"<\/a><\/p>\n

Dom.<\/em><\/p>\n

Having referred this week to individual animated films by Borowczyk and Lenica here’s their ten-minute collaboration from 1959. “Dom” means “house”, with the house in question providing a vague framing device for otherwise disconnected episodes, some of which repeat themselves. It’s more of a curio than anything, most interesting (again) for the moments that would be better explored by future directors. In addition to further collage animation there’s a short sequence which gives octopoid life to a human wig that’s very reminiscent of Jan \u0160vankmajer. Watch the whole thing here<\/a>.<\/p>\n

Previously on { feuilleton }
\n\u2022 Les Jeux des Anges by Walerian Borowczyk<\/a>
\n\u2022 Labirynt by Jan Lenica<\/a>
\n\u2022 Short films by Walerian Borowczyk<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Dom. Having referred this week to individual animated films by Borowczyk and Lenica here’s their ten-minute collaboration from 1959. “Dom” means “house”, with the house in question providing a vague framing device for otherwise disconnected episodes, some of which repeat themselves. It’s more of a curio than anything, most interesting (again) for the moments that … Continue reading “Dom by Walerian Borowczyk and Jan Lenica”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,7],"tags":[4055,375,4056],"class_list":["post-12032","post","type-post","status-publish","format-standard","hentry","category-animation","category-film","tag-jan-lenica","tag-jan-svankmajer","tag-walerian-borowczyk"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-384","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/12032","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=12032"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/12032\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=12032"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=12032"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=12032"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}