{"id":12020,"date":"2012-09-18T02:40:55","date_gmt":"2012-09-18T01:40:55","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=12020"},"modified":"2023-12-17T13:48:51","modified_gmt":"2023-12-17T13:48:51","slug":"beardsley-and-his-work","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/09\/18\/beardsley-and-his-work\/","title":{"rendered":"Beardsley and His Work"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/09\/beardsley1.jpg\" alt=\"beardsley1.jpg\" \/><\/p>\n<p>Back in 2008 I wrote at some length about <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/06\/22\/aubrey-by-john-selwyn-gilbert\/\"><em>Aubrey<\/em><\/a>, an excellent BBC TV dramatisation of the last years of Aubrey Beardsley&#8217;s life written by John Selwyn Gilbert, and screened once in 1982. Mr Gilbert himself <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/06\/22\/aubrey-by-john-selwyn-gilbert\/#comment-89253\">added a comment<\/a> to that post in which he mentioned that he&#8217;d written and directed a documentary which was screened in tandem with the play, <em>Beardsley and His Work<\/em>. I have the documentary on tape but it&#8217;s a copy of a copy and is also missing ten minutes or so of its opening so it&#8217;s good to find that the entire thing is now on YouTube. (Thanks to Dominique for drawing my attention to this.)<\/p>\n<p><em>Beardsley and His Work<\/em> is essential viewing for Beardsleyphiles since it&#8217;s the only place you&#8217;ll see Beardsley scholar Brian Reade\u2014author of the huge monograph, <em>Beardsley<\/em> (1967)\u2014and Brigid Brophy\u2014author of two excellent studies, <em>Black and White<\/em> (1968) and <em>Beardsley and His World<\/em> (1976)\u2014talking at length about the artist. In addition there&#8217;s another artist, Ralph Steadman, examining some of Beardsley&#8217;s original artwork and discussing the techniques of ink drawing. The fifty-minute film is divided into four chunks, unfortunately, but is otherwise complete:<\/p>\n<p><a href=\"http:\/\/www.youtube.com\/watch?v=5naWuIWmpIU\" target=\"_blank\" rel=\"noopener\">Part one<\/a> | <a href=\"http:\/\/www.youtube.com\/watch?v=Hym2RWfuPi8\" target=\"_blank\" rel=\"noopener\">part two<\/a> | <a href=\"http:\/\/www.youtube.com\/watch?v=w6jatAMjoe0\" target=\"_blank\" rel=\"noopener\">part three<\/a> | <a href=\"http:\/\/www.youtube.com\/watch?v=ir6hbXTeGNE\" target=\"_blank\" rel=\"noopener\">part four<\/a><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/09\/beardsley2.jpg\" alt=\"beardsley2.jpg\" \/><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-aubrey-beardsley-archive\/\">The Aubrey Beardsley archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Back in 2008 I wrote at some length about Aubrey, an excellent BBC TV dramatisation of the last years of Aubrey Beardsley&#8217;s life written by John Selwyn Gilbert, and screened once in 1982. Mr Gilbert himself added a comment to that post in which he mentioned that he&#8217;d written and directed a documentary which was &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/09\/18\/beardsley-and-his-work\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Beardsley and His Work&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,50,30,48,19],"tags":[94,798,4054,4053,3962,111,123,493],"class_list":["post-12020","post","type-post","status-publish","format-standard","hentry","category-art","category-beardsley","category-black-white","category-illustrators","category-television","tag-aubrey-beardsley","tag-brian-reade","tag-brigid-brophy","tag-john-selwyn-gilbert","tag-karel-de-neree","tag-ralph-steadman","tag-salome","tag-the-savoy"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-37S","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/12020","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=12020"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/12020\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=12020"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=12020"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=12020"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}