![\"dogo.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/09\/dogo.jpg\")
<\/p>\n<\/p>\n
Mala Reputaci\u00f3n (1991) by Dogo Y Los Mercenarios. Cover art by Nazario Luque. Artist Nazario Luque<\/a> was Spain’s first gay comic artist who’s also known for the drawing which appeared (without permission) on the sleeve of\u00a0Lou Reed Live \u2013 Take No Prisoners<\/em><\/a> in 1978. On his website Nazario says he’s been described as “Exhibicionista, solidario, provocador, agitador moral, rompedor, arriesgado, polifac\u00e9tico, transgresor, canalla, pintiparado, morigerado o simplemente superviviente…” Via M\u00fasica, maestros<\/a>, a two-part post (second part is here<\/a>) about album cover art by comic artists.<\/p>\n \u2022 The BBC Radiophonic Workshop Returns<\/a>. And quite conveniently, Ubuweb posts some original Radiophonic creations by electronic music genius Delia Derbyshire<\/a>. Ms Derbyshire is profiled along with her other pioneering colleagues in an hour-long TV documentary, Alchemists of Sound<\/em><\/a>.<\/p>\n \u2022 Tor.com celebrates the fiction of Shirley Jackson<\/a>. Too Much Horror Fiction has a substantial collection of Shirley Jackson book covers<\/a>.<\/p>\n Phantasmagorical and all but plotless, Nightwood<\/em> flings itself madly upon the night, upon Wood, and upon the reader. Its sentences pomp along like palanquins and writhe like crucifixions. They puke, they sing. Their deliriums are frighteningly controlled. [\u2026] TS Eliot loved Nightwood<\/em> so much that he shepherded its publication and wrote the introduction to the first edition. Dylan Thomas complimented it with his left hand by calling it \u201cone of the three great prose books ever written by a woman\u201d and with his right hand by stealing from it. [\u2026] Nightwood<\/em>\u2019s Dr. Matthew-Mighty-grain-of-salt-Dante O\u2019Connor, florid monologist and transvestite, seems to have been a model (along with Captain Ahab) for Judge Holden in Blood Meridian<\/em>. The difference is that Cormac McCarthy\u2019s Judge is essentially Satan, whereas O\u2019Connor is essentially Christ; they’re only just on opposite sides of the border of madness.<\/p>\n Austin Allen on The Life and Death of Djuna Barnes<\/a>, Gonzo “Greta Garbo of American Letters”. There’s a lot more Djuna Barnes at Strange Flowers<\/a>.<\/em><\/p><\/blockquote>\n \u2022 Out at the end of the month, Extreme Metaphors, interviews with JG Ballard, 1967\u20132008<\/em><\/a>, edited by Simon Sellars & Dan O’Hara.<\/p>\n \u2022 The favourite Polish posters<\/a> of the Brothers Quay. Over at Cardboard Cutout Sundown there are more Quay book covers<\/a>.<\/p>\n \u2022 The Mancorialist<\/a>: people on the streets of Manchester are given the Sartorialist treatment.<\/p>\n \u2022 The Liverpool International Festival Of Psychedelia<\/a> takes place on 29th September.<\/p>\n \u2022 The Caves of Nottingham<\/a> are explored in a detailed post at BLDGBLOG.<\/p>\n \u2022 In Remembrance: Bill Brent<\/a>, Groundbreaking Queer Sex Publisher.<\/p>\n \u2022 Confessions of a Bookplate Junkie<\/a><\/p>\n \u2022 The Uranus Music Prize 2012<\/a><\/p>\n \u2022 Fuck Yeah Ren\u00e9 Lalique<\/a><\/p>\n \u2022 Dr Who: original theme<\/em><\/a> (1963) by Ron Grainer with Delia Derbyshire | Falling<\/em><\/a> (1964) by Delia Derbyshire | The Delian Mode<\/em><\/a> (1968) by Delia Derbyshire | Blue Veils And Golden Sands<\/a><\/em> (1968) by Delia Derbyshire.<\/p>\n","protected":false},"excerpt":{"rendered":" Mala Reputaci\u00f3n (1991) by Dogo Y Los Mercenarios. Cover art by Nazario Luque. Artist Nazario Luque was Spain’s first gay comic artist who’s also known for the drawing which appeared (without permission) on the sleeve of\u00a0Lou Reed Live \u2013 Take No Prisoners in 1978. On his website Nazario says he’s been described as “Exhibicionista, solidario, … Continue reading “Weekend links 126”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,58,2,42,9,4,29,57,5,22,3,17],"tags":[4049,4051,1841,100,399,2125,96,4050,183,3596,2072,137,1302,517,4048,194,2350,4052,666,1936,2419,2563,468,119],"class_list":["post-12012","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art-nouveau","category-art","category-books","category-comics","category-design","category-electronica","category-fashion","category-gay","category-horror","category-music","category-psychedelia","tag-austin-allen","tag-bill-brent","tag-bldgblog","tag-blood-meridian","tag-brothers-quay","tag-cardboard-cutout-sundown","tag-cormac-mccarthy","tag-dan-ohara","tag-delia-derbyshire","tag-djuna-barnes","tag-dylan-thomas","tag-jg-ballard","tag-lou-reed","tag-manchester","tag-nazario-luque","tag-radiophonic-workshop","tag-rene-lalique","tag-ron-grainer","tag-shirley-jackson","tag-simon-sellars","tag-strange-flowers","tag-tor-com","tag-ts-eliot","tag-ubuweb"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-37K","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/12012","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=12012"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/12012\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=12012"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=12012"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=12012"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/em><\/p>\n