{"id":11947,"date":"2012-08-28T03:19:15","date_gmt":"2012-08-28T02:19:15","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=11947"},"modified":"2012-08-28T03:19:15","modified_gmt":"2012-08-28T02:19:15","slug":"raymond-bertrand-paintings","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/08\/28\/raymond-bertrand-paintings\/","title":{"rendered":"Raymond Bertrand paintings"},"content":{"rendered":"<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/08\/bertrand19-big.jpg\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/08\/bertrand19.jpg\" alt=\"bertrand19.jpg\" \/><\/a><\/p>\n<p>Scanning some of my work today I thought I&#8217;d follow yesterday&#8217;s post with a few scans of the colour plates in the second Eric Losfeld volume of Bertrand&#8217;s work, <em>Dessins Erotiques II<\/em> (1971). None of the pictures in the book are titled, and there&#8217;s little detail either about their production. Among the colour works is the Boschian piece above which for once doesn&#8217;t have one of the artist&#8217;s strange women as its sole subject. A few more scans from the same book can be seen at <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/04\/22\/the-art-of-bertrand\/\">this earlier post<\/a>.<\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/08\/bertrand16-big.jpg\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/08\/bertrand16.jpg\" alt=\"bertrand16.jpg\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/08\/bertrand17-big.jpg\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/08\/bertrand17.jpg\" alt=\"bertrand17.jpg\" \/><\/a><\/p>\n<p><!--more--><\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/08\/bertrand18-big.jpg\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/08\/bertrand18.jpg\" alt=\"bertrand18.jpg\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/08\/bertrand20-big.jpg\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/08\/bertrand20.jpg\" alt=\"bertrand20.jpg\" \/><\/a><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-fantastic-art-archive\/\">The fantastic art archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/08\/27\/raymond-bertrands-science-fiction-covers\/\">Raymond Bertrand\u2019s science fiction covers<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/04\/13\/gilles-rimbault-revisited\/\">Gilles Rimbault revisited<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/07\/21\/the-art-of-ran-akiyoshi-1922\u20131982\/\">The art of Ran Akiyoshi, 1922\u20131982<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/07\/20\/the-art-of-gilles-rimbault\/\">The art of Gilles Rimbault<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/03\/15\/the-art-of-jim-leon-1938\u20132002\/\">The art of Jim Leon, 1938\u20132002<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/06\/26\/the-art-of-sibylle-ruppert\/\">The art of Sibylle Ruppert<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/04\/22\/the-art-of-bertrand\/\">The art of Bertrand<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Scanning some of my work today I thought I&#8217;d follow yesterday&#8217;s post with a few scans of the colour plates in the second Eric Losfeld volume of Bertrand&#8217;s work, Dessins Erotiques II (1971). None of the pictures in the book are titled, and there&#8217;s little detail either about their production. Among the colour works is &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/08\/28\/raymond-bertrand-paintings\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Raymond Bertrand paintings&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,21,44,18],"tags":[4011,1544,1083],"class_list":["post-11947","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-fantasy","category-painting","category-surrealism","tag-eric-losfeld","tag-gilles-rimbault","tag-raymond-bertrand"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-36H","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11947","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=11947"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11947\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=11947"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=11947"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=11947"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}