{"id":11892,"date":"2012-08-18T03:53:02","date_gmt":"2012-08-18T02:53:02","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=11892"},"modified":"2013-01-31T01:13:02","modified_gmt":"2013-01-31T01:13:02","slug":"wildeana-7","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/08\/18\/wildeana-7\/","title":{"rendered":"Wildeana 7"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"wilde1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/08\/wilde1.jpg\" \/><\/p>\n<p>Continuing an occasional series. The drawing above is frequently credited to Aubrey Beardsley in books about Oscar Wilde but receives an &#8220;anonymous&#8221; attribution in books of Beardsley&#8217;s work. The copy here, and the pages below, are from <a href=\"http:\/\/archive.org\/details\/bibliographyofos00milluoft\" target=\"_blank\"><em>Bibliography of Oscar Wilde<\/em><\/a> (1914) by Stuart Mason.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.guardian.co.uk\/culture\/2011\/nov\/27\/oscar-wilde-grave-paris-cemetery\" target=\"_blank\">Last November<\/a> it was announced that Wilde&#8217;s lipstick-blotched tomb in P\u00e8re Lachaise cemetery is to be cleaned (again) then shielded from the persistent kissers and graffiti writers by a glass screen. <a href=\"http:\/\/www.flickr.com\/search\/?q=P\u00e8re%20Lachaise%20cemetery%20oscar%20wilde\" target=\"_blank\">Flickr<\/a> has a collection of photos showing the earlier condition of the tomb and its embellishments.<\/p>\n<p><img decoding=\"async\" alt=\"wilde2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/08\/wilde2.jpg\" \/><\/p>\n<p>\u2022 Maria Bustillos in <a href=\"http:\/\/www.theawl.com\/2012\/06\/oscar-wilde\" target=\"_blank\">The Vexed Posthumous Life of Oscar Wilde<\/a> chronicles the story of the blue plaque on Wilde&#8217;s former home in Tite Street, London.<\/p>\n<p>\u2022 &#8220;A hundred and twenty five years ago, Oscar Wilde edited a fashion magazine, his first and only office job. We have yet to learn from the experience.&#8221; <a href=\"http:\/\/lareviewofbooks.org\/article.php?type=&amp;id=835&amp;fulltext=1&amp;media=\" target=\"_blank\">Wilde in the Office<\/a> by Kaya Gen\u00e7.<\/p>\n<p><img decoding=\"async\" alt=\"wilde3.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/08\/wilde3.jpg\" \/><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-oscar-wilde-archive\/\" target=\"_blank\">The Oscar Wilde archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Continuing an occasional series. The drawing above is frequently credited to Aubrey Beardsley in books about Oscar Wilde but receives an &#8220;anonymous&#8221; attribution in books of Beardsley&#8217;s work. The copy here, and the pages below, are from Bibliography of Oscar Wilde (1914) by Stuart Mason. \u2022 Last November it was announced that Wilde&#8217;s lipstick-blotched tomb &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/08\/18\/wildeana-7\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Wildeana 7&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,50,42,48,43],"tags":[94,3973,3972,116,3971],"class_list":["post-11892","post","type-post","status-publish","format-standard","hentry","category-art","category-beardsley","category-books","category-illustrators","category-magazines","tag-aubrey-beardsley","tag-kaya-genc","tag-maria-bustillos","tag-oscar-wilde","tag-stuart-mason"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-35O","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11892","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=11892"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11892\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=11892"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=11892"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=11892"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}