{"id":11805,"date":"2012-08-01T03:07:25","date_gmt":"2012-08-01T02:07:25","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=11805"},"modified":"2012-08-01T03:07:25","modified_gmt":"2012-08-01T02:07:25","slug":"steinlens-cats-revisited","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/08\/01\/steinlens-cats-revisited\/","title":{"rendered":"Steinlen\u2019s cats revisited"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/08\/steinlen01.jpg\" alt=\"steinlen01.jpg\" \/><\/p>\n<p>Chris Marker&#8217;s feline obsession was oft-remarked: cats feature regularly in his films, and in later years he&#8217;d often send a picture of a cat to anyone requesting a portrait photo. The <a href=\"http:\/\/exactchange.com\/shop\/marker-immemory\/\" target=\"_blank\"><em>Immemory<\/em> CD-ROM<\/a> features his cartoon avatar\/companion\/alter-ego Guillaume, a character who later manifested in three dimensions in <a href=\"http:\/\/secondlife.com\/destination\/ouvroir-chris-marker\" target=\"_blank\">Marker&#8217;s corner of Second Life<\/a>.<\/p>\n<p>All of which had me thinking about another Parisian cat obsessive, artist Th\u00e9ophile Alexandre Steinlen (1859\u20131923). I&#8217;ve written about <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/08\/12\/steinlens-cats\/\" target=\"_blank\">Steinlen&#8217;s cats<\/a> before, one of which, his <a href=\"http:\/\/www.aloj.us.es\/galba\/monograficos\/lautrec\/Obras\/Steilen\/Steinlen_ChatNoir1896.jpg\" target=\"_blank\">Chat Noir poster of 1896<\/a>, is now a permanent fixture in the tourist shops of the city. Parisians are probably sick of the sight of that particular animal although I imagine Marker would have liked Steinlen&#8217;s other cats which range from fine art studies to cartoony sketches. All the examples here are from\u00a0<a href=\"http:\/\/archive.org\/details\/loeuvregravetl00crauuoft\" target=\"_blank\"><em>L&#8217;oeuvre grav\u00e9 et lithographi\u00e9 de Steinlen<\/em><\/a>, a catalogue of the artist&#8217;s print work from 1913. The song <em>Ronde Des Marmites<\/em> concerns the grey cats of Montmartre. At the end of the post there&#8217;s an other nod to Monsieur Marker (and Edward Lear) with a trio of Steinlen owls.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/08\/steinlen02.jpg\" alt=\"steinlen02.jpg\" \/><\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/08\/steinlen03-big.jpg\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/08\/steinlen03.jpg\" alt=\"steinlen03.jpg\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/08\/steinlen04-big.jpg\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/08\/steinlen04.jpg\" alt=\"steinlen04.jpg\" \/><\/a><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/08\/steinlen05.jpg\" alt=\"steinlen05.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/08\/steinlen06.jpg\" alt=\"steinlen06.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/08\/steinlen07.jpg\" alt=\"steinlen07.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/08\/steinlen08.jpg\" alt=\"steinlen08.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/08\/steinlen09.jpg\" alt=\"steinlen09.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/08\/steinlen10.jpg\" alt=\"steinlen10.jpg\" \/><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/07\/31\/chris-marker-1921-2012\/\">Chris Marker, 1921\u20132012<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/08\/12\/steinlens-cats\/\">Steinlen\u2019s cats<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/06\/20\/the-boy-who-drew-cats\/\">The Boy Who Drew Cats<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/01\/16\/8-out-of-10-cats-prefer-absinthe\/\">8 out of 10 cats prefer absinthe<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/01\/15\/monsieur-chat\/\">Monsieur Chat<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chris Marker&#8217;s feline obsession was oft-remarked: cats feature regularly in his films, and in later years he&#8217;d often send a picture of a cat to anyone requesting a portrait photo. The Immemory CD-ROM features his cartoon avatar\/companion\/alter-ego Guillaume, a character who later manifested in three dimensions in Marker&#8217;s corner of Second Life. All of which &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/08\/01\/steinlens-cats-revisited\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Steinlen\u2019s cats revisited&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,7],"tags":[88,3917,3916],"class_list":["post-11805","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-film","tag-chris-marker","tag-edward-lear","tag-theophile-alexandre-steinlen"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-34p","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11805","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=11805"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11805\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=11805"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=11805"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=11805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}