{"id":11759,"date":"2012-07-20T02:57:50","date_gmt":"2012-07-20T01:57:50","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=11759"},"modified":"2012-07-20T02:58:14","modified_gmt":"2012-07-20T01:58:14","slug":"un-chant-damour-nouveau","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/07\/20\/un-chant-damour-nouveau\/","title":{"rendered":"Un Chant d\u2019Amour (nouveau)"},"content":{"rendered":"

\"chant.jpg\"<\/a><\/p>\n

A brief homage<\/a> by Sam Scott Schiavo<\/a> to Genet’s masterwork of homoerotic cinema Un Chant d’Amour<\/em> (1950). Genet’s film works so well, and is so closely tied to his artistic obsessions, it’s difficult to approach but it’s good to see it still wields an influence. For comparison the original film can be watched at Ubuweb<\/a>.<\/p>\n

Previously on { feuilleton }
\n\u2022 Jean Genet\u2026 \u2018The Courtesy of Objects\u2019<\/a>
\n\u2022 Querelle again<\/a>
\n\u2022 Saint Genet<\/a>
\n\u2022 Emil Cadoo<\/a>
\n\u2022 Exterface <\/a>
\n\u2022 Penguin Labyrinths and the Thief\u2019s Journal<\/a>
\n\u2022 Un Chant D\u2019Amour by Jean Genet<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

A brief homage by Sam Scott Schiavo to Genet’s masterwork of homoerotic cinema Un Chant d’Amour (1950). Genet’s film works so well, and is so closely tied to his artistic obsessions, it’s difficult to approach but it’s good to see it still wields an influence. For comparison the original film can be watched at Ubuweb. … Continue reading “Un Chant d\u2019Amour (nouveau)”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7,5],"tags":[425,751,4523,3881],"class_list":["post-11759","post","type-post","status-publish","format-standard","hentry","category-film","category-gay","tag-exterface","tag-jean-genet","tag-labyrinths","tag-sam-scott-schiavo"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-33F","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11759","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=11759"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11759\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=11759"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=11759"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=11759"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}