{"id":11677,"date":"2012-07-08T01:46:33","date_gmt":"2012-07-08T00:46:33","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=11677"},"modified":"2013-02-02T03:34:06","modified_gmt":"2013-02-02T03:34:06","slug":"weekend-links-116","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/07\/08\/weekend-links-116\/","title":{"rendered":"Weekend links 116"},"content":{"rendered":"

\"sherer.jpg\"<\/a><\/p>\n

Ankle Deep, a pyrograph by Robert Sherer<\/a> whose work is showcased at The Advocate<\/a>.<\/em><\/p>\n

\u2022 “Bertrand Russell wrote in 1932<\/a>, during another period of economic distress, ‘that immense harm is caused by the belief that work is virtuous, and that what needs to be preached in modern industrial societies is quite different from what always has been preached.’ ” From The Devilishness Of Idleness<\/em> by Alex Gallo-Brown<\/a>. Related: Owen Hatherley<\/a> says “It’s the 21st century \u2013 why are we working so much?”<\/p>\n

\u2022 Restoring James Joyce\u2019s book of the night<\/a>: Joyce biographer Gordon Bowker reviews the new edition of Finnegans Wake<\/em>. Over at the NYRB<\/em> Michael Chabon<\/a> has a great piece about his own relationship with Joyce’s novel that manages to make some very un-NYRB<\/em> references to Cthulhu, the Necronomicon<\/em> and Michael Moorcock’s Elric. Related: Leopold’s Day<\/a>, a limited edition (and expensive) map of Dublin using typography to depict the people and places of Bloomsday.<\/p>\n

Verbally, it feels as though Burroughs, Joyce and Beckett are text messaging haikus back and forth: ‘beautiful\/last\/random fragments of poetry\/finding syllables,\/the waters fall\/the waves fall\/musical.\/pencil murmuring’.<\/p>\n

James Kidd<\/a> on A Humument by Tom Phillips.<\/em><\/p><\/blockquote>\n

\u2022 The Expanding Universe<\/em> (1980), an album of early computer music by American composer Laurie Spiegel<\/a>, will be reissued with additional recordings<\/a> in September.<\/p>\n

\u2022 A previously unreleased remix by Surgeon of Teenage Lighting<\/em> by Coil<\/a> has been made public.<\/p>\n

\"collard.jpg\"<\/a><\/p>\n

Small Museum of Nature and Industry (2010) by Susan Collard<\/a>.<\/em><\/p>\n

\u2022 Queer Kids In America<\/a>, a photo project by M. Sharkey.<\/p>\n

\u2022 Walter Benjamin\u2019s Grave: A Profane Illumination<\/a>.<\/p>\n

\u2022 The Visual Art and Design of Famous Writers<\/a>.<\/p>\n

\u2022 Nylon Sculptures by Rosa Verloop<\/a>.<\/p>\n

\u2022 Froschroom<\/a><\/em> (1994) by Mouse on Mars | Bib<\/em><\/a> (1995) by Mouse on Mars | Cache Coeur Na\u00eff<\/em><\/a> (1997) by Mouse on Mars.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ankle Deep, a pyrograph by Robert Sherer whose work is showcased at The Advocate. \u2022 “Bertrand Russell wrote in 1932, during another period of economic distress, ‘that immense harm is caused by the belief that work is virtuous, and that what needs to be preached in modern industrial societies is quite different from what always … Continue reading “Weekend links 116”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,29,5,3,14,41],"tags":[3849,3848,2272,3850,135,3852,3853,3855,3851,65,2300,320,1866,757,3856,3854,164,1241],"class_list":["post-11677","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-electronica","category-gay","category-music","category-politics","category-sculpture","tag-alex-gallo-brown","tag-bertrand-russell","tag-coil-group","tag-gordon-bowker","tag-james-joyce","tag-james-kidd","tag-laurie-spiegel","tag-m-sharkey","tag-michael-chabon","tag-michael-moorcock","tag-mouse-on-mars","tag-necronomicon","tag-owen-hatherley","tag-robert-sherer","tag-rosa-verloop","tag-susan-collard","tag-tom-phillips","tag-walter-benjamin"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-32l","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11677","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=11677"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11677\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=11677"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=11677"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=11677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}