{"id":11634,"date":"2012-06-28T02:53:06","date_gmt":"2012-06-28T01:53:06","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=11634"},"modified":"2013-07-12T01:53:07","modified_gmt":"2013-07-12T00:53:07","slug":"design-as-virus-14-curse-of-the-dead","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/06\/28\/design-as-virus-14-curse-of-the-dead\/","title":{"rendered":"Design as virus 14: Curse of the Dead"},"content":{"rendered":"

\"curse.jpg\"<\/a><\/p>\n

Curse of the Dead (1966).<\/em><\/p>\n

Continuing an occasional series. This photograph, reproduced in Denis Gifford’s A Pictorial History of Horror Movies<\/em><\/a> (1973), intrigued me for years. Gifford’s book is a very good collection of stills from horror films of all kinds, ranging from the earliest days of cinema to the 1970s. The pictures are mostly black-and-white, and are often far more stimulating than the films they would have been promoting. The text generally refers to the films depicted but in the case of this picture there’s only a single credit, Curse of the Dead<\/em> (1966), a film I’d never heard of. These kinds of mysteries have been banished for good now we have resources like IMDB where you can learn immediately that Curse of the Dead<\/em><\/a> is a Mario Bava film whose original Italian title was Operazione Paura<\/em>. (It’s also known, with the usual hyperbole, as Kill, Baby\u2026Kill!<\/em>) “An 18th century European village is haunted by the ghost of a murderous little girl” says the summary. Bava’s films were always visually impressive so it’s really no surprise to find it was one of his.<\/p>\n

\"carnacki.jpg\"<\/p>\n

The first repeat usage I know of is this cover from the Dennis Wheatley Library of the Occult<\/em> series<\/a> published by Sphere books from 1974\u201377. Sphere used Wheatley’s name to sell a lot of reprints but the series was substantial and featured a number of titles that would have been appearing in paperback for the first time. Unfortunately the best thing about the covers was the uniform design of the horoscope circle against a coloured background. The quality of the illustrations was very uneven so it’s probably for the best that the artists and photographers went uncredited.<\/p>\n

\"arkham.jpg\"<\/p>\n

Then there’s one of Dave McKean’s title pages for Arkham Asylum<\/em> (1989), the heavily symbolic Batman book he created with Grant Morrison. There’s only a portion of the picture but I’d say it’s a good guess he used the Gifford book since at least one of the panels in his earlier Violent Cases<\/em> was based on another of the Gifford photos.<\/p>\n

This isn’t all, I’m sure I’ve seen the Gifford picture used on a record sleeve but there’s little way of discovering which one unless somebody recognises the photo. If anyone knows, please leave a comment. And despite all of this I still haven’t seen Bava’s film even though I’m told it had a strong influence on Twin Peaks<\/em>. This account<\/a> at The Horror Digest is slightly disappointing when a colour equivalent of the Gifford still lacks the particulated creepiness of the black-and-white version. More surprising is finding yet another film featuring the arms-out-of-the-walls motif<\/a>. This obviously requires further investigation.<\/p>\n

Update:<\/strong> Thanks to Irv in the comments for finding the following singles so quickly. The Decorators sleeve was the one I remembered. (See it larger here<\/a>.) Kicks were an Australian band. Odd that these were both released in the same year.<\/p>\n

\"decorators.jpg\"<\/p>\n

Twilight View (1980) by The Decorators. Design by Malcolm Garrett.<\/em><\/p>\n

\"kicks.jpg\"<\/p>\n

The Secret (1980) by Kicks.<\/em><\/p>\n

Previously on { feuilleton }
\n\u2022 Design as virus 13: Tsunehisa Kimura<\/a>
\n\u2022 Design as virus 12: Barney\u2019s faces<\/a>
\n\u2022 Design as virus 11: Burne Hogarth<\/a>
\n\u2022 Design as virus 10: Victor Moscoso<\/a>
\n\u2022 Design as virus 9: Mondrian fashions<\/a>
\n\u2022 Design as virus 8: Keep Calm and Carry On<\/a>
\n\u2022 Design as virus 7: eyes and triangles<\/a>
\n\u2022 Design as virus 6: Cassandre<\/a>
\n\u2022 Design as virus 5: Gideon Glaser<\/a>
\n\u2022 Design as virus 4: Metamorphoses<\/a>
\n\u2022 Design as virus 3: the sincerest form of flattery<\/a>
\n\u2022 Design as virus 2: album covers<\/a>
\n\u2022 Design as virus 1: Victorian borders<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Curse of the Dead (1966). Continuing an occasional series. This photograph, reproduced in Denis Gifford’s A Pictorial History of Horror Movies (1973), intrigued me for years. Gifford’s book is a very good collection of stills from horror films of all kinds, ranging from the earliest days of cinema to the 1970s. The pictures are mostly … Continue reading “Design as virus 14: Curse of the Dead”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[42,9,4,7,22,3],"tags":[3824,3822,3710,603,3823,2021,1951],"class_list":["post-11634","post","type-post","status-publish","format-standard","hentry","category-books","category-comics","category-design","category-film","category-horror","category-music","tag-dave-mckean","tag-denis-gifford","tag-dennis-wheatley","tag-grant-morrison","tag-mario-bava","tag-twin-peaks","tag-william-hope-hodgson"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-31E","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11634","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=11634"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11634\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=11634"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=11634"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=11634"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}