{"id":11598,"date":"2012-06-17T02:29:29","date_gmt":"2012-06-17T01:29:29","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=11598"},"modified":"2013-02-02T03:34:14","modified_gmt":"2013-02-02T03:34:14","slug":"weekend-links-113","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/06\/17\/weekend-links-113\/","title":{"rendered":"Weekend links 113"},"content":{"rendered":"

\"leonard.jpg\"<\/a><\/p>\n

Wunderkammer (2011) by Emma Leonard<\/a>.<\/em><\/p>\n

As someone who was eight years old at the time of the Apollo moon landing, I remember calculating that I would be thirty-nine in the magic year 2000 and wondering what the world would be like. Did I expect I would be living in such a world of wonders? Of course. Everyone did. Do I feel cheated now? It seemed unlikely that I\u2019d live to see all<\/em> the things I was reading about in science fiction, but it never occurred to me that I wouldn\u2019t see any<\/em> of them.<\/p><\/blockquote>\n

A quote from Of Flying Cars and the Declining Rate of Profit<\/em>, an essay by David Graeber<\/a>. Related: Another World: David Graeber interviewed by Michelle Kuo<\/a> at Artforum.<\/p>\n

\u2022 Constellation<\/em>, a series of portraits by Kumi Yamashita<\/a>: “This body of work consists of three simple materials that, when combined, produce the portraits: a wooden panel painted a solid white, thousands of small galvanized nails, and a single, unbroken, common sewing thread.”<\/p>\n

\u2022 Nicole Rudick<\/a> at The Paris Review<\/em> on the history of psychedelic art. Related: The psychedelic art and design of Keiichi Tanaami<\/a>. Also Manifesting the Mind: Footprints of the Shaman<\/em><\/a>, a two-hour documentary about psychedelic drugs.<\/p>\n

\u2022 Already mentioned here, The Lost Tapes<\/em><\/a>, a 3-CD collection of previously unreleased recording by the mighty Can, is out on Monday. There’s a preview of ten of the tracks here<\/a>.<\/p>\n

\u2022 “I can’t think of anybody who would have a good word to say for centipedes…” Duncan Fallowell (a Can associate for many years) interviewed William Burroughs<\/a> in 1982.<\/p>\n

\u2022 Herb Lubalin: American Graphic Designer<\/em><\/a> and the Herb Lubalin Study Center’s Flickr sets<\/a>.<\/p>\n

\u2022 Strange Flowers<\/a> goes to the movies with everyone’s favourite Bavarian king, Ludwig II.<\/p>\n

\u2022 The Sphinx’s Riddle: The Art of Leonor Fini<\/em><\/a> at the Weinstein Gallery, San Francisco.<\/p>\n

\u2022 More Teutonica: A Spacemusic Primer<\/a> by Dave Maier.<\/p>\n

\u2022 Van Dyke Parks: return of a musical maverick<\/a>.<\/p>\n

\u2022 Forty Posters for Forty Years<\/a> at Pentagram.<\/p>\n

\u2022 Donovan’s Colours<\/em><\/a> (1968) by Van Dyke Parks | Sailin’ Shoes<\/em><\/a> (1972) by Van Dyke Parks | Clang Of The Yankee Reaper<\/em><\/a> (1975) by Van Dyke Parks.<\/p>\n","protected":false},"excerpt":{"rendered":"

Wunderkammer (2011) by Emma Leonard. As someone who was eight years old at the time of the Apollo moon landing, I remember calculating that I would be thirty-nine in the magic year 2000 and wondering what the world would be like. Did I expect I would be living in such a world of wonders? Of … Continue reading “Weekend links 113”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,851,7,3,44,14,17],"tags":[2271,2482,3155,3799,3793,3801,3798,3795,730,1574,3794,3796,1396,2419,3797,3800,1190],"class_list":["post-11598","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-drugs","category-film","category-music","category-painting","category-politics","category-psychedelia","tag-can-group","tag-dave-maier","tag-david-graeber","tag-duncan-fallowell","tag-emma-leonard","tag-herb-lubalin","tag-keiichi-tanaami","tag-kumi-yamashita","tag-leonor-fini","tag-ludwig-ii","tag-michelle-kuo","tag-nicole-rudick","tag-paris-review","tag-strange-flowers","tag-the-paris-review","tag-van-dyke-parks","tag-william-burroughs"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-314","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11598","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=11598"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11598\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=11598"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=11598"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=11598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}